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Framed Mid 20th Century Embroidery - Flora

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We received 5 tapestries from a dealers collection who retired from business and been stored properly, currently 4. There in no fading or damage to each and ready to hang condition....

Young artist’s innovative textile practice reimagines traditional weaving and embroidery techniques, using colorful threads instead of paint and a tufting gun as her brush. Her large...

A lavish French Aubbusson style jacquard tapestry depicting an exciting Renaissance era hunting scene. The scene is set in a dense forest of blue, g...

Stéphane COUTURIER (*1957, France) Angers – Le Chant de l'Apocalypse #01, 2022 Tapestry 205 x 277 cm (80 3/4 x 109 in.) Edition of 3; Ed. no. 1/3 Born in 1957 in Neuilly sur Seine,...

Stéphane COUTURIER (*1957, France) Angers – Le Chant de l'Apocalypse #02, 2022 Tapestry 290 x 218 cm (114 1/8 x 85 7/8 in.) Edition of 5; Ed. no. 1/5 Born in 1957 in Neuilly sur Se...

Sz: 68" x 56"

ARTIST: Salvador Dali TITLE: Still Life By The Light of The Moon - Nature au Clair De Lune MEDIUM: Woven Tapestry SIGNED: Woven in the Tapestry EDITION NUMBER: 27/50 MEASUREMENTS: 35.6" x 54" YEAR: 1980 PUBLISHER: Walton-Gilbert Galleries, San Fransisco WOVEN BY: Art in Tapestry, El Paso Texas CONDITION: Excellent NOTE: Designed from a 1927 painting...

"Porter Series: Carte L'Europe (Shower Woman)" is a tapestry by South African artist William Kentridge. It is edition 1 of 5 (plus 2 APs) and signed verso "W. Kentridge". William Kentridge is a South African graphic artist, filmmaker, and theatre arts activist especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The pungent humanism he revealed in these and other works echoed a larger European tradition of artists such as Honoré Daumier, Francisco de Goya, and William Hogarth. Kentridge, whose father was a noted antiapartheid lawyer, attended the University of Witwatersrand in Johannesburg (1973–76) and the now-defunct Johannesburg Art Foundation (1976–78). At various times in the 1970s and ’80s, he worked as an actor, playwright, set designer, and theatrical director, and he studied mime and theatre in Paris in the early 1980s. In 1992 he began an ongoing collaboration involving multimedia performances with Handspring Puppet Theatre (founded 1981) in Cape Town. As is clear from both his early training and his later artistic output, Kentridge’s interest in the visual arts was rooted in its connection with the theatrical arts. The narrative structure and character development in his films reflect this connection. While Kentridge pursued several avenues as an artist, at the centre of his work was a sequence of short animated films. To produce them, he made a rough charcoal drawing, photographed it, altered the drawing slightly, photographed it again, and so on. Kentridge’s original drawings are often completely effaced by their successors. Many of these films—including Johannesburg, 2nd Greatest City After Paris (1989) and Felix in Exile (1994)—follow the fortunes of the greedy capitalist Soho Eckstein and his alter ego, the sensitive and artistic Felix Teitelbaum. They present modern South Africa as reflective of the spiritual, ecological, and emotional crises of late capitalism. Kentridge later established himself as a consummate figure in the performing arts, particularly for his innovative stagings of the operas The Nose (2010) and Lulu (2015) at New York’s Metropolitan Opera and Wozzeck (2017) at the Salzburg Festival...

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...

Journey Trees III, linens and swing threads, 8" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 1963...