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Aaron LevyJuly Fourthca. 1960
ca. 1960
About the Item
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and titled verso.
40.25 x 56.25 in.
40.75 x 56.75 in. (framed)
Custom framed in a whitewashed cherry closed-corner frame.
Aaron Levy was born in New York City in 1899. After a successful corporate career, in 1951 he retired as president of the textile manufacturer E. Milius & Co. to further explore his interest in painting.
A Park Avenue resident with a summer home in East Hampton, Levy was acquainted with many of the preeminent artists of the New York School who also spent significant time in East Hampton. He was a member of the Camino Gallery, which operated out of the East Village from 1956 to 1963. Camino was one of the galleries that would come to be known collectively as the “10th Street Galleries.” The galleries were run co-operatively by the artists, with very little or no full-time staff. Many artists who would eventually achieve significant renown were exhibiting members of one or more of the 10th Street Galleries. In particular, many important female abstract expressionists leveraged the benefits of the cooperative, during a time when women and minorities were marginalized and often precluded from reaching the upper echelons of the art ecosystem. Elaine de Kooning and Alice Neel - two of the most important painters of the 20th century - were both members of Camino Gallery, alongside Levy.
When Camino closed in 1963, Levy joined Phoenix Gallery, which by that time, had moved to a new, more established location on Madison Avenue.
Aaron Levy passed away at his Manhattan home in 1972 at the age of 73.
- Creator:Aaron Levy (1899 - 1972, American)
- Creation Year:ca. 1960
- Dimensions:Height: 40.25 in (102.24 cm)Width: 56.25 in (142.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall fair to good, stable condition. Inquire for additional details.
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU2287211547432
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Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed verso. Some scratched out, illegible writing in paint and graphite verso, which may ha...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Untitled
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Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower right.
41.75 x 61 in.
44 x 63 in. (framed)
Custom framed in a hardwo...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
$30,000
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Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower right; signed, titled, dated verso.
48 x 60 in.
49.75 x 61.75 in. (framed)
Custom framed in a solid maple floater, with an heirloom white finish.
Provenance
Kootz Gallery, New York
Collection of John G. and Kimiko Powers, New York/Aspen, CO
Prentice-Hall Corporate Art Collection, New York
Kyle Morris was born in Des Moines, IA in 1918. After serving in the U.S. Air Force during World War II, he completed M.F.A. programs at both Northwestern and Cranbrook Academy of Art before settling in New York and renting a studio on Mercer Street in downtown Manhattan during the 1950s. Transitioning away from the figurative painting of his formal training, he began to create the bold gestural works that would serve as his hallmark in the ever-growing fraternity of the New York School.
Morris’ first major solo exhibition occurred at the Walker Art Center in Minneapolis in 1952. This show served as the catalyst for his recruitment onto the rosters of the prominent Stable and Kootz galleries in New York. In 1961, he was included in the Guggenheim’s landmark exhibition, American Abstract Expressionists and Imagists, which surveyed the abstract expressionist movement that would come to dominate contemporary American art...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Estate stamped and numbered verso; initialed “SF22” verso.
48.25 x 34.25 in.
49.25 x 35 in. (framed)
Custom framed in a solid maple floater.
Provenance
Estate of Samuel Feinstein
McCormick Gallery, Chicago
Samuel Lawrence...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
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Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower left.
36.25 x 30.25 in.
38.5 x 32.5 in. (framed)
Custom hardwood frame with dark stain. FredEric’s Frame Studio, Chicago.
Provenance
McCormick Gallery, Chicago
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In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
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Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower left, inscribed label verso.
59.25 x 55.25 in.
61 x 57 in. (framed)
Custom framed in a wooden double tray frame, hand-painted white.
Provenance
Galerie Lovers of Fine Art, Gstaad, Switzerland
This work has been recorded under no. 1531 in the digital Catalogue Raisonné of the artist, prepared by Michel Reymondin, Montreux, Switzerland.
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Unfortunately, the dawn of the 1940s would bring about a number of challenges for Liner. With the outbreak of war, Liner was mobilized for the Swiss Border Guard, and returned home to Switzerland in 1939. He remained on active duty until 1945, only to lose his father the following year. The death of the elder Liner left a profound impact on his son, who eventually made his way back to Paris in 1947 and embarked upon what would become a very successful series of nudes.
By his own admission, 1948 was a pivotal year in Liner’s career, as a particularly spiritual trip to Algeria would foment the emotions led to the beginning of his practice with abstraction. Henceforth, Liner would vacillate between the figurative and abstract, creating parallel oeuvres. His abstraction from the 1950s and 60s mirrored...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
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