Adriano Bernetti da Vila

Breaking Changes - Painting by Adriano Bernetti da Vila - 2021

2021

Lying Woman is an original contemporary artwork realized in 2018 by Anastasia Kurakina. Mixed colored oil painting on board. Signature and date on the back.

Pink Flowers is an original artwork realized by Laura D'Andrea in the 2010s. Original oil on canvas. Hand-signed by the artist on the lower-left corner. Perfect conditions. A very lovely still life characterized by a vase of very beautiful pink flowers. Laura D’Andrea is an Italian artist and engraver. She was born in Sicily, where she currently lives and works. She studied printing techniques and especially xylography at the Academies of Fine Arts in Rome and Urbino, as well as Philosophy and Literature at the University of Grenoble. Her first exhibition was “La mia Sicilia” (My Sicily) in 1969 at the Galleria Flaccovio in Palermo, where, a few years later, she exhibited with “Hippies a Londra” (Hippies in London). In the 1980s, she moved to Il Cairo in Egypt, where she studied Arabic calligraphy and found the opportunity to realize a series of graphic works to be exhibited at the Egypt Academy of Rome. In those years, she dedicated herself to doing research on the historical Sicilian Baroque art and culture. Between 1986 and 1988, her solo show “L’Immaginario nel Barocco” (The Baroque Culture) took place at the Galleria Artivisive in Rome, at the Museum and Library of Ursino, at the Recupero in Sicily, and at the European Parliament in Strasbourgh. In 2002, she participated in the exhibition “Memoria Greca nel Mediterraneo” (Greek memory in the Mediterranean) in Sicily. In 2007, she exhibited in Rome and in Saudi Arabia. Between 2011 and 2015, she started exploring the world of jazz music, which would become an important subject for her future artworks; in those same years, she exhibited her works in England and in Belgium. Her artworks represent a leap in the Mediterranean Sea, between Sicilian and Arab cultures. Laura D’Andrea loves jazz music: on her canvases, we can perceive the sounds of places and people far in both place and time. Other important elements of her works are calligraphy and Archeoscrittura. Archeoscrittura is a fascinating practice consisting of artists exploring their own genetic memories for finding signs of archaic scriptures. Laura D'Andrea draws inspiration from the depths of her personal memory, and from the study of symbols found in the Archaic writing in the Mediterranean. Her works can be viewed at the Museum of Modern Art Pecci in Florence; at the Museum of woodcut Carpi in Modena; at the Museum of Modern Art Maga in Varese, Milan; at the Museum of Modern Art in Valencia, Spain; at the Museum of Art Mart in Trento and Rovereto with the donation of Mirella Bentivoglio.

Natural Shape is an original artwork realized by Claudio Palmieri in 1986. Original oil on table. Very good conditions. Sign, title and date on the back. Original title: Forma natu...

Tree 1 is an original artwork realized by Claudio Palmieri in 2014. Original oil on canvas. Very good conditions. Sign, title and date on the back. Original title: Albero 1 The pa...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Around the World No. 10C is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (30 × 30 cm). The artwork is signed, sold unframed a...

David A. Dreyer earned his BFA and MFA at Southern Methodist University in Dallas. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has had solo exhibitions a...

Dana Frankfort In the middle of the road, 2017 oil on canvas over panel 48 x 48 x 1.75 inches For over two decades, Dana Frankfort has explored the vexing periphery between language and sight by painting words. Rather than laying claim to the paintings, controlling their semiotic pulse, her words serve as the formal armature; they prop up, ventilate, and allow the many layers of paint to breathe. Imperatives, allusions, evocations—the words dissolve into a palimpsest of obscured serifs and stems, into color and form. The title of the work is a phrase from a poem by Carlos Drummond de Andrade’s “In the Middle of Road.” Here it is, translated from the Portuguese by Elizabeth Bishop...