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Alaina EnslenCarbon Gold: Abstract Encaustic Painting in Indigo, Forest Green & Copper2024
2024
$7,900
£5,990.19
€6,918.60
CA$11,084.18
A$12,347.53
CHF 6,513.13
MX$149,717.64
NOK 82,856.39
SEK 77,185.97
DKK 51,663.87
About the Item
Abstract encaustic painting with dyed blue, indigo, and forest green dyed fabrics with accents of copper on a neutral, off-white cloth background
"Carbon Gold" made by Hudson Valley artist, Alaina Enslen, in 2024
Encaustic, dyed fabrics, and paper mounted on panel
40 x 72 x 2 inches unframed, sides reveal raw panel and wrapped fabric
Excellent condition, ready to hang
Signed, verso
This abstract expressionist encaustic painting is made with repurposed pieces of found fabrics in complementary tones of dark blue and forest green, with accents of copper and sienna on an encaustic off-white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface.
About the artist:
Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth into something all her own. Enslen has exhibited her work internationally and nationally for over twenty years and is featured in the permanent collections at the West Point Museum and the Paul W. Bryant Museum.
More about the artist:
Alaina Enslen is a mixed media artist residing in Cornwall-On-Hudson, New York, a small village in the Hudson Valley. Having lived in many states across the US as well as in Japan, Saudi Arabia, Portugal, and England, her experiences with diverse cultures, identities, and beliefs throughout her life have deeply influenced her work. Her paintings, encaustics, and collages draw from materials collected from her subjects, memorabilia, fabric, and objects from the environment. Over the last twenty years, her art has been shown internationally and nationally, including an exhibition in 2017 at the Caleidoscópio (University of Lisbon). Her work is part of the permanent collections at the West Point Museum and the Paul W. Bryant Museum. Over the last twenty years, she has received a number of grants and awards including a nomination for Best Temporary Exhibition 2016 from the Portuguese Museological Association for “Bird-watching” (Museu da Ciência, University of Coimbra, 2016) and a Luso-American Development Foundation travel grant for FOLIO 2016. Her most recent series, Remnants, employs encaustic and fabric in bold designs to convey the emotive properties of cloth as experience and memory.
- Creator:
- Creation Year:2024
- Dimensions:Height: 40 in (101.6 cm)Width: 72 in (182.88 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU22714591032
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Resume:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY
Coordinator, Interior Design Program, Florence, Italy campus 1992-present
AWARDS
Finalist, “Saatchi Showdown” 2010
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY
“Donise English-Paintings”, Orange County Community College, Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”, Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY
“On/Of Paper”, Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition, Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”, Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL
“Women Painting Women”, McNeese State University, Lake Charles, LA
“Thought Patterns”, Kent Place Gallery, Summit, NJ
“Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center
“The Great White Oak”, Garrison Art Center, Garrison, NY
Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY
“Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Acrylic, Archival Paper, Encaustic, Board
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