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Alaina EnslenCenturies (Abstract Geometric Encaustic Painting In Patterned Ochre and White)2022
2022
$3,400
£2,627.09
€3,037.16
CA$4,804.45
A$5,388.51
CHF 2,821.88
MX$65,475.60
NOK 35,833.11
SEK 33,972.31
DKK 22,670.84
About the Item
Abstract geometric encaustic painting in patterned ochre on white
"Centuries Spliced Open" made by Hudson Valley artist, Alaina Enslen, in 2022
Encaustic & monotype mounted on panel
30 x 41 x 2 inches, sides reveal raw wood sides
Excellent condition, ready to hang
Lightweight
Signed, verso
This abstract minimalist painting is made with pattered ochre monotypes on an encaustic white background. The paper, which is adhered to a light wood Birch panel and layered with a subtle layer of encaustic, is arranged in a geometric motif that accentuates the play of negative space. The layered paper and encaustic create a textured, impasto surface.
About the artist:
Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth into something all her own. Enslen has exhibited her work internationally and nationally for over twenty years and is featured in the permanent collections at the West Point Museum and the Paul W. Bryant Museum.
More about the artist:
Alaina Enslen is a mixed media artist residing in Cornwall-On-Hudson, New York, a small village in the Hudson Valley. Having lived in many states across the US as well as in Japan, Saudi Arabia, Portugal, and England, her experiences with diverse cultures, identities, and beliefs throughout her life have deeply influenced her work. Her paintings, encaustics, and collages draw from materials collected from her subjects, memorabilia, fabric, and objects from the environment. Over the last twenty years, her art has been shown internationally and nationally, including an exhibition in 2017 at the Caleidoscópio (University of Lisbon). Her work is part of the permanent collections at the West Point Museum and the Paul W. Bryant Museum. Over the last twenty years, she has received a number of grants and awards including a nomination for Best Temporary Exhibition 2016 from the Portuguese Museological Association for “Bird-watching” (Museu da Ciência, University of Coimbra, 2016) and a Luso-American Development Foundation travel grant for FOLIO 2016. Her most recent series, Remnants, employs encaustic and fabric in bold designs to convey the emotive properties of cloth as experience and memory.
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