Alec Franco

Lab #3 Painting. From the Lab series

2024

Lab #2, 2024 by Alec Franco From the Lab series Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to ex...

Lab #4, 2024 by Alec Franco From the Lab series Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to ex...

Lab #1, 2024 by Alec Franco From the Lab series Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to ex...

Lab #5, 2024 by Alec Franco From the Lab series Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to ex...

Lab #6, 2024 by Alec Franco From the Lab series Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to ex...

Lab #7, 2024 by Alec Franco From the Lab series Unframed Signed by the artist _______ The artist's works are based on time and on informal aesthetic principles that he chooses to ex...

A contemporary, abstract painting, "Welcoming the Wellspring" features colorful markings across a layered, creamy white mixed media background. It is an original work painted in 2022 by abstract expressionist artist Kara Greenwell. The contemporary painting features bold turquoise, navy, red, yellow and lime green geometric abstract shapes and gestural markings that sit atop layers of handmade paper and magazine pages obscured by white and cream acrylic paint. Hidden messages in graphite, charcoal and crayon play across the work's surface. Measuring 24 inches by 24 inches, this abstract painting is an ideally sized modern statement piece to adorn any wall. The artist continued the painting extending around the edges of this gallery wrapped canvas, ensuring visual interest from all angles. This contemporary abstract expressionist work is hand signed by the artist on both front and back and is sealed with Archival, UV-resistant varnish. The painting can be hung a nail or picture hook...

Artist: Lloyd Martin Title: Grid 15-16 Size: 30 x 22 inches Medium: Mixed media, acrylic, pastel, graphite, collage on paper Year: 2015 Price: 3,500 American artist Lloyd Martin, kn...

Chihung Yang American (b. 1947) Untitled (Black and Brown Composition) (1986) Mixed media (acrylic, pastel) on paper Hand signed lower right Sheet 38 x 50 inches, frame dimensions: 45 x 57 x 2 inches, wood frame with glazing Provenance:= From a Corporate Art Collection Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1. In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists. He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang Awards and recognition 1989, Outstanding Asian American Artist Award, by Governor of New York 1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York SELECTED GROUP EXHIBITIONS 1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan 1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan 1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan 1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong 1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea 1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England 1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida 1982 Summer Invitational, Susan Caldwell Inc, New York City 1982 Four Artists, SoHo Center for Visual Artists, New York City 1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art, 1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England 1983 Dreams Demons Madness, Alternative Museum, New York City 1984 Rambunctious, Siegel Contemporary Art, New York City 1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC 1984 Salvo, Ruth Siegel Ltd, New York 1984 Modern Art, Ted Greenwald Gallery, New York City 1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City 1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT 1985 Large Figurative Drawings...

This piece is an abstract composition done with mixed media, oil and acrylic paints on paper. The artist explores an incredible world filled with color and expressive brushstrokes. The lines and texture create a mature abstract composition as Suki Maguire has been painting in this field since the 1970s. Her joy is the expression and we can find these notes displayed vividly in this piece. This piece comes displayed in a modern light wood floating frame under glass and is signed lower right. Art measures 8 x 6 in Frame measures 17 x 12.25 in There is a great potential for discovery in Maguire's world of symbols, but a passing glance will not do, you have to allow your gaze to linger on this part and that of each painting so that your subconscious will have the opportunity to retrieve the elusive forms that seem to be hiding within the more obvious shapes. This holds true even in those works that incorporate letters of the Korean or Latin alphabet, which serve as glyphs bearing some symbolic meaning that goes beyond the mere representation of sound. She has exhibited internationally in Seoul, Nantucket, New York, and Italy. Her styles and materials have ranged from realism to abstract, from water and oil colors to acrylics and coffee grounds. Suki Maguire (Kim Jong...

This piece is an abstract composition done with mixed media, oil and acrylic paints on paper. The artist explores an incredible world filled with color and expressive brushstrokes. The lines and texture create a mature abstract composition as Suki Maguire has been painting in this field since the 1970s. Her joy is the expression and we can find these notes displayed vividly in this piece. This piece comes displayed in a modern light wood floating frame under glass. Art measures 9 x 6 in Frame measures 17 x 12.25 in There is a great potential for discovery in Maguire's world of symbols, but a passing glance will not do, you have to allow your gaze to linger on this part and that of each painting so that your subconscious will have the opportunity to retrieve the elusive forms that seem to be hiding within the more obvious shapes. This holds true even in those works that incorporate letters of the Korean or Latin alphabet, which serve as glyphs bearing some symbolic meaning that goes beyond the mere representation of sound. She has exhibited internationally in Seoul, Nantucket, New York, and Italy. Her styles and materials have ranged from realism to abstract, from water and oil colors to acrylics and coffee grounds. Suki Maguire (Kim Jong...

I'M LEAVING is an abstract painting by Peter Husband in acrylic paint, oil pastel, found newsprint and modeling paste on stretched canvas. It measures 30...