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Alex KuznetsovUntitled II by Alex Kuznetsov, Abstract Acrylic Painting on Canvas2024
2024
$7,500
£5,617.82
€6,493.91
CA$10,532.37
A$11,471.44
CHF 6,071.43
MX$140,356.65
NOK 75,129.15
SEK 70,917.30
DKK 48,469.06
About the Item
Untitled II by Alex Kuznetsov
2024
Acrylic on canvas
51.25" x 43.25"
In a time when everything is loud, fast, and endlessly refreshed, Alex Kuznetsov makes paintings that do not want to speak quickly. They do not promise meaning, offer image, or strive for attention. Instead, they hold, they wait, and they accumulate.
This painting is part of Slow Silence, a series Kuznetsov names not as a metaphor, but as a method. Using an aluminum straightedge, he builds layered acrylic surfaces through repetition, friction, and constraint. His gestures are deliberate, slow, and resistant to immediacy.
In his work, painting is not a picture but a presence- a situation, a condition of being. Color becomes time, emptiness becomes weight, and silence becomes structure. These paintings are not decorative objects, they are tools for perceptual deceleration. To see them is not to recognize, but to dwell.
- Creator:Alex Kuznetsov (1978, Belarusian)
- Creation Year:2024
- Dimensions:Height: 51.25 in (130.18 cm)Width: 43.25 in (109.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1439215571182
Alex Kuznetsov
is a Lisbon-based artist whose work engages abstraction as a method of resistance — to speed, to spectacle, to surface legibility. His compositions emerge through slow, layered processes where gesture, duration, and structure become inseparable.
Rather than images, they are conditions: constructed surfaces that unfold over time, inviting prolonged attention and physical presence. Using industrial tools such as an aluminum straightedge, Kuznetsov builds fields of repetition and friction that resist immediacy.
Grounded in rhythm, accumulation, and material weight, his practice is deliberately open in form, spanning painting, object-based work, and language. In a culture driven by acceleration, his work stands still — not as retreat, but as a proposition. A slower tempo. A deeper look.
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