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Allyson Levy
Chasmanthium Insignias: Abstract Encaustic Painting with Green, Earth Tones

2021

$3,000
£2,255.21
€2,614.50
CA$4,188.47
A$4,691.30
CHF 2,441.04
MX$56,975.56
NOK 30,946.21
SEK 29,200.05
DKK 19,507.90
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About the Item

Abstract encaustic painting with a green, earth toned palette. Made with natural plant material (Northern Sea Oats) "Chasmanthium Insignias I" made by Allyson Levy in 2021 encaustic and plant material on wood panel, 24 x 24 x 1 inches Lightweight, hangs with one d-ring, Signed, verso This modern abstract encaustic painting by Allyson Levy is made with Northern Sea Oats and green encaustic, sealed with a layer of neutral wax on a wood panel. The artist begins by finding the organic material in her 4-acre garden in upstate New York which she then arranges and embeds with encaustic on a wooden panel. The brown, earth toned sea oats are laid in a linear pattern on a wood panel with a surface of green encaustic and then sealed with clear wax. The encaustic wraps around to the sides of the panel, revealing some bumps and downward drips, accumulated during the natural drying process. The piece is lightweight and hangs on one d-ring. About the artist and her work: After moving to the rural town of Stone Ridge, NY seventeen years ago and starting a 4-acre botanical garden with her husband, mixed media artist, Allyson Levy, has found endless inspiration in the plant kingdom that surrounds her. The garden itself, named “Hortus Conclusus”, consisting of thousands of rare plants and edibles, remains at the epicenter of Levy’s art making. A fascination with earth’s bounty is expressed with her works in encaustic. Assorted organic material such as leaves, seeds, branches, insect wings, and flowers are decoratively arranged in a layer of beeswax, encaustic, and pigment. Some panels have richly pigmented backgrounds; specks of gold found in poppy pods reflect off of a mat black base and plum purple contrasts the natural coloration of birch bark. Following her original inspiration based on a 15th-century practice of preserving seeds in wax during extended sea voyages, Levy’s intentions are to capture and reflect on a specific moment in the material’s life span. Adding, “from sprout to decay, the viewer is visually confronted with the profoundly beautiful, devastating and inevitable cycle.” Allyson Levy has exhibited with the gallery and regionally since 2000.

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