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Amanda Brazier
'Mirror' - Abstract Painting - Earth Pigments - handmade paper

2022

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'Float' - Abstract Painting - Earth Pigments - handmade paper
By Amanda Brazier
Located in Atlanta, GA
"Float" is an abstract work on handmade paper using handmade watercolor locally harvested from earth pigments in Tennessee and Georgia. The frame measures 9.75 by 12.75 inches. Amanda Brazier...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Watercolor, Handmade Paper

'Revolution' colorful minimalist work on panel, wood grain, Carmen Herrera
Located in Atlanta, GA
Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Latex, Wood Panel

'Orbit' - colorful minimalist work on panel - wood grain - Carmen Herrera
Located in Atlanta, GA
Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Latex, Wood Panel

'One Perspective' colorful minimalist work on panel, wood grain, Carmen Herrera
Located in Atlanta, GA
Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Latex, Wood Panel

'Apex' - colorful minimalist work on panel - wood grain - Carmen Herrera
Located in Atlanta, GA
Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Latex, Wood Panel

"Four Seasons" - Colorful Non-Objective Painting - Bold Shapes - Sonia Delaunay
By Laura Dargan
Located in Atlanta, GA
"Four Seasons" is a geometric abstract painting featuring hues of pink, lime green, orange, turquoise and mirror paint. Laura Dargan is inspired by the work of Adolph Gottlieb, Sonia...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Canvas, Acrylic

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Intersecting Magic Square
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Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself. Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame Measurements: Frame: 21 x 17 x 1.5 inches Artwork: 18 x 14.25 inches The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...
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View from a Great Height, abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
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Disintegrating (with a Measure of Grace), abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
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