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Andy MosesGeodynamics 7042020
2020
$12,500
£9,579.74
€11,010.22
CA$17,556.86
A$19,649.37
CHF 10,285.74
MX$238,704.23
NOK 130,602.80
SEK 123,246.05
DKK 82,155.65
About the Item
The images reveal undeniable traces of natural phenomena, seeking not to replicate the natural world, but rather to suggest the forces of nature itself. His complex process of mixing and pouring paints conveys a sense of undulating energies pushing and pulling within the rectilinear, circular and hexagonal forms of the canvases themselves.
The paintings are sweeping and luminescent, their lustrous surfaces seemingly executed with an impossible combination of absolute precision and wild improvisation. Meandering lines of psychedelic chroma oscillate between near digital sharpness and dissolving washes of color, achieving works of captivating presence.
- Creator:Andy Moses (1962, American)
- Creation Year:2020
- Dimensions:Height: 36 in (91.44 cm)Width: 32 in (81.28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU4787243272
Andy Moses
b. 1962, Los Angeles Andy Moses is an artist who lives and works in Venice, California. He was born in Los Angeles in 1962 and attended California Institute of the Arts from 1979 to 1981. At CalArts he focused on performance, film, and painting, studying with Michael Asher, John Baldessari, and Barbara Kruger. In 1981 he moved to New York and worked for the artist Pat Steir. Later that year he developed a type of process painting that is simultaneously abstract and representational. Moses is interested in pushing the physical properties of paint through chemical reactions, viscosity interference, and gravity dispersion to create elaborate compositions that mimic nature and its forces. He was in his first group exhibition at Artists Space in 1986 entitled, Selections. He had his first solo exhibition in New York at Annina Nosei Gallery in 1987. He has continued to exhibit his work in New York, Los Angeles, and abroad over the past twenty-five years. He moved back to Los Angeles in 2000 were he continues to refine and expand the vocabulary of his specific painting processes, imagery, and interrelationships with the technical and natural world.
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