Anne Subercaseaux

Reflections on Crossing XXIV

2006

Shades of cool clear pool blue, aqua grey - with refreshing colors of water in Anne Subercaseaux's wonderful 'Reflections on Crossing XXVI, oil on canvas. Anne Subercaseaux finds sub...

Shades of sea blue-green with grey are at play in Anne Subercaseaux's meticulously painted 'Reflections on Crossing XXIV', oil on canvas. Anne Subercaseaux finds substance in the insubstantial, in paintings that freeze the ephemeral patterns of reflection and shadow. In her muted, almost monochrome palettes, images seem familiar but still elusive. The precise silhouette of a bridge girder or a windblown branch moves into focus and out again, a fleeting glimpse from the corner of the eye...

Shades of blue-grey and cobalt at play in Anne Subercaseaux's wonderful 'Reflections on Crossing VLVIII', oil on canvas. Anne Subercaseaux finds substance in the insubstantial, in paintings that freeze the ephemeral patterns of reflection and shadow. In her muted, almost monochrome palettes, images seem familiar but still elusive. The precise silhouette of a bridge girder or a windblown branch moves into focus and out again, a fleeting glimpse from the corner of the eye...

Blue is the focus of this abstract oil on canvas painting by artist Anne Subercaseaux, whose gleaming oil paintings realistically bridge urban with rural in the form of representatio...

Artist: Betsy Kaufman – American (1953- ) Title: Landscape of Reflection Study Year: 1988 Medium: Acrylic on paper mounted to canvas Sight size: 13.5 x 1...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflect again at the sublime landscape of the pas...

acrylic on brushed aluminum b. 1950, Teaneck, New Jersey One of the most powerful tools an artist possesses is an ability to bridge the gap between what is considered real and what is illusion. This ability to alter or enhance reality is the very crux of what an artist is all about, and their success at attaining this is usually the defining element as to their stature in the field, as either an abstract or realist painter. Occasionally a painter is able to combine these two distinct disciplines and create an art form, which holds a viewer’s attention by balancing the paradox of the flat painted surface with the illusion of depth and space. "As a painter, it is important for me to address the concerns of painting what has been done-and what can I add to this. My work on aluminum is an attempt to use the qualities of refracted light, and have these qualities interact with the painting. The completed image is produced both by refracted light, created by the use of various wire brushes and paint airbrushed in transparent layers. Within this process about half of the image is produced by refracted light alone, simulating paint, and about half by paint." For over twenty years, David Kessler followed a Photo-Realist tradition, often depicting the Arizona desert landscape...