Anya Spielman

Constellation of Grief (Abstract Painting)

2009

Interior design paintings. The artwork were done with oil, acrylic, ink and watercolor. The work are 11 by 14 inches in size, framed (black) with a styrene face on a mat board in whi...

Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...

Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...

Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...

Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...

Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...

'Midcentury Biomorphic Abstract' by Emilio Rodríguez Larraín, 1964. NYMoMA, Paris, XXXII Venice Biennale, Museo de Arte de Lima, Lima, Peru ----- Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...

This contemporary abstract impressionist painting with touches of expressionism, "The French Coast" is a delicate and emotive creation by French artist Natalya Mougenot. Part of a su...

24"x30" oil, graphite on canvas, signed on reverse by the artist. This contemporary abstract painting by New York artist, Mark Masyga is visually laid out with painted lines of color intertwined and layered on top of each other. The neutral warm grey ground is activated by the multiple layers of paths of blues, beige, cream white, dark greys and near blacks, interspersed with fine curved and bent lines of light green, orange, lavender and rose pink. This is an engaging linear abstract painting with an immense visual depth of field. This painting is featured in a solo show released by the Front Room Gallery in New York, entitled, "Charitable Deceptions". In this new body of work, the title “Charitable Deceptions,” refers to a passage written by Gabriel García Márquez in which, “…memory eliminates the bad and magnifies the good.” Mark Masyga ruminates on this concept through his process of addition and subtraction in his compositional constructions. The linear abstract paintings in this exhibition chronicle a passage of time as explored through the artist’s application...