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ArnaudComposition #207
$24,000
£18,429.69
€21,141.76
CA$33,722.82
A$37,767.43
CHF 19,706.42
MX$461,312.87
NOK 250,723.06
SEK 236,336.53
DKK 157,778.37
About the Item
Arnaud creates elegant and solemn oil paintings of a dark and heavy experiences. The surfaces are thickened by paint, like tweed tapestries of labor-intensive strokes. They create a uniform field which holds the surface in complete equality at every point. Behind this plane, a shallow pictorial space of great compression develops, and this entire space is one of perpetual nervous tension, pushing and pulling in a tight arena.
Fundamentally monochromatic, the paintings are in neutral hues or in brooding reds, blues, and ambers. They are strong, serious, resolved presences.
His interest is to capture the feeling of alienation and isolation, the act of creating art and the phenomenal existence of the art object, glowing, breathing in perpetuity.
Arnaud’s paintings very successfully convey the act of bracing against pain, of enduring it with dignity, of covering the most extreme difficulty by means of aesthetic wealth.
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From a very young age, he showed great interest in art and any thing that gave free reign to his imagination. He attended classes offered by painting workshops
At the age of sixteen, he went to the Saint-Luc Institute in Tournai (Belgium) where he studied new arts teaching and met famous artists. He later attended architecture and design classes.
After gaining his diploma in 1999, he joined an architect’s office in Lille (France) where he worked principally with volume, colours and the enhancement of light.
His first exhibition was held at Le Masquerel (France) and included fifteen artists. He sold his first paintings.
The highlights of 1997 and 1998 were his wedding and the birth of his first child. His painting evolved, his work focused more on the curves of the female body and the plumpness, sensuality, shapes and shadows that it emanate.
After traveling in North Africa, be began to focus on his backing material – sand was a very successful and impressive medium, giving the viewer the urge to approach and caress his paintings.
In 2000, he traveled to New York, where he feasted on verticality and asymmetries that were in sharp contrast to his supple work on the female body. In early 2001, encouraged by true art lovers and the success of his paintings, he left his job as an architect to devote himself to his art.
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