Ashraf Zamzami

"Hexagonal" Abstract Oil Painting 24" x 20" inch by Ashraf Zamzami

2023

"Abstract Composition 6" Abstract Oil Painting 24" x 20" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature...

"Abstract Composition 8" Abstract Oil Painting 20" x 24" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature...

"Abstract Composition 7" Abstract Oil Painting 20" x 24" inch by Ashraf Zamzami ABOUT A characteristically bold and optimistic palette does not belie the inescapably pensive nature...

"Reverie II" Abstract Oil Painting 35" x 33" inch by Ashraf Zamzami Ashraf El Zamzami was a graduate of the Academy of Fine Arts in Minya, and he fast made a name for himself in the...

Unknown. Oil on canvas. 42,5x55,8 cm. Georgs Barkans (1925-2010) Textile artist, architect, artist Professional education: University of Latvia, Faculty of Architecture (1945-1952) ...

Japanese Motif, 2018., 85x90 cm Abstract composition. Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

Oil on canvas, signed lower left OH and Hanne Otting on the back. Hanne Otting is a danish painter exposed in national Museum of Denmark

Large 1970s abstract geometric acrylic and oil on plywood panel signed Rivel and dated 1977 to the bottom left. The painting is titled to the rear of the panel. Numbers of colour fields in muted shades jostle against one another. It is the shapes and the space between them which give energy to the painting whilst the colour palette restrains. The painting is highly textured as the artist has applied the paint thickly and energetically with both palette knife and large brushstrokes. At times layers of paint reveal underlying colours. This painting fits perfectly into the abstract genre with its focus on its formal qualities over and above its subject matter. Furthermore the artist experiments with reconstructing shapes and rejecting three dimensional perspective. A fine example of non objective art...