Barbara Krupp

The Forest Floor- 48 x 60

2019

Red Square 36 X 36 Jose Castro was born in Matanzas, Cuba in 1947. In 1961, when he was 14, he was sent to Miami to escape the Revolution. Later he was joined by his mother and sist...

Ripple Effect 48 X 72 Jose Castro was born in Matanzas, Cuba in 1947. In 1961, when he was 14, he was sent to Miami to escape the Revolution. Later he was joined by his mother and ...

Since When- Gold Purple Red Energy Strokes 60" X 72" Acrylic on canvas. Neltje was born in New York City and raised in style on Long Island and a South Carolina plantation. At the a...

Open your window - Rich Redsm and Yellow 72 X72 Neltje's signature rich colors appear in this acrylic on canvas Vivid blasts of color is a trademark of Neltje...

Glad You Asked -Rich vibrant palette 60 X 60 Acrylic on canvas Neltje was born in New York City and raised in style on Long Island and a South Carolina plantation. At the age of 32, ...

Return to the Meadow-Vivid colors 60 X 60 Acrylic on canvas Neltje was born in New York City and raised in style on Long Island and a South Carolina plantation. At the age of 32, as a single mother of two, she moved from Park Avenue to a ranch in Wyoming in the shadows of the Big Horn Mountains. Since then she has become one of the West’s preeminent artists. Like the openness of the West, Neltje likes to do things on a big scale and many of her works are ten to twelve feet wide. She considers herself “an abstract expressionist painter.” Her works are in a wide range of museums and private collections including The Smithsonian Institution, the Yellowstone Art...

Nichole McDaniel's artistry unfolds as a captivating fusion of contemporary landscapes and abstract compositions, drawing inspiration from both local surroundings and her exploration...

Cheryl Warrick (American, b. 1956), "By Ones By Twos" Acrylic mixed media on panel, 1999, Hand signed in pencil, titled and dated verso, gallery label...

Large acrylic painting by Pat Rosenstein, American Woman Artist, graduate of Pratt Institute whose work has been exhibited extensively. Rosenstein, who...

Brian Kenny, (German-American, 1982-) MIxed Media Painting with Drawing, Oil or Acrylic on Canvas. Hand signed On Verso and Dated 2015, NYC Dimensions: Sight- 30" x 24", Frame- 36" x 30" Brian Kenny (born 1982, Heidelberg, Germany) is a NYC-based American multidisciplinary artist exhibited in galleries, museums, theaters and alternative venues in the US, Canada, Russia, Israel and across Europe. In 2004 Brian began an ongoing collaboration with artist Slava Mogutin as SUPERM, and in 2016 with writer Rich Juzwiak as BOYFRIEND HOUSE. Using an array of mediums including drawing, painting, sculpture, textile, video and performance, Brian’s artwork is bright and vividly expressionistic; often autobiographical and reflective of his current states of mind which include themes of his queer identity, shifting societal perceptions about gender, sexuality and politics, urban living and free-associative wanderings of thought and creative experimentation. New York-based artist Brian Kenny’s work is a visually striking exploration of gender, sexuality, and politics in contemporary North America. Known for his experimental and expressionistic practice, Brian mixes mediums such as painting, illustration, collage, sculpture, and textiles – oftentimes all at once. Brian’s foundation in drawing is evident across his portfolio, with nearly every piece incorporating some signature scribblings from the artist. He has experimented with drawing, collage, photography, performance and, more recently, painting. “All the other mediums I’m exploring like, painting, textile art, and animation all branch out from drawing,” he explains. This focus is what makes Brian’s vast collection of work all feel so cohesive. "Both of my parents were in the US military and we moved around a lot in the US. But most of the places I lived were rural, far from big cities and art museums, so I had no idea who Andy Warhol, Mark Rothko, Chuck Close, David Hockney or Damien Hirst were. The few small art museums I visited as a child were full of old-school oil paintings; all life-like portraits, rural landscapes and historical recreations. It wasn’t until I met Slava Mogutin and moved to New York that I began to meet artists, see exhibitions at art galleries of living artists near my age, and tour lot of contemporary art museums like MoMA and begin learning about contemporary art history". Brian says. “I’m definitely not a minimalist and lean toward more narrative and figurative artwork than abstraction or decoration”. Minimalist, he is not: Brian’s work pops with vibrant colours, characters and shapes, evoking a Warholian play on pop art culture. Kenny’s signature line drawing style is reminiscent of Keith Haring and LA Ortiz and evokes comparisons to early Jean Michel Basquiat. Brian's commercial and fashion work includes art and design commissions and collaborations with Onitsuka Tiger (Japan...

Signed, dated and titled verso. Gelfman is often praised for using unconventional approaches during the creation process. This intricate mixed media piece is no exception. Her use ...

Ellen De Meutter Paint 2, 2007 Acrylic, ink and oil on canvas 31.5 x 23.6 in (80.0 x 59.9 cm) Provenance: Secrets & Lies show at her American gallery Roberts & Tilton, LA in 2007 Ellen De Meutter (1981) teaches painting at the Royal Academy of Fine Arts of Antwerp. In 2006-2007 she followed the HISK programme in Ghent, in 2013-2014 she did a residency at the Jan Van Eyck Academy in Maastricht. De Meutter is represented by Tim Van Laere Gallery since 2006. (they represent Tal R, Marcel Dzama, Tomasz Kowalski and Franz West) Her work has been shown in various exhibitions in Belgium, the United States, Italy, Spain, the Netherlands, Germany and Japan. In 2010 she had her first solo museum exhibition in Museum Dhondt-Dhaenens. Ellen De Meutter alters her viewer's reality by presenting a language in which she classifies the figures, shapes and colors from her personal world into a captivating utopia. Contrary to current trends in Flemish art, De Meutter is not simply relaying an anecdote; she composes unique imagery that allows her to experiment with the placement of the subject and unique treatments of her medium. De Meutter's repertoire of vivid, semi-neon colors contrast the muted grays blacks and grays on which they lay. These seemingly energetic colors are at once enhanced by the dark undertones of the canvas below, while simultaneously insinuating a concealed gravity of subject. Belgian art critic and curator, Luk Lambrecht remarks on De Meutter's painting: "she folds back 'her' world onto itself, into a solid mass of color from which, very slowly, vague contours emerge, which safeguard our expectations about looking at an image." De Meutter's scenes are reminiscent of schoolyard games, incorporating a series of text and symbols. By combing figurative imagery with basic abstraction, Ellen De Meutter creates wildly successful compositions that allude to her comprehensive understanding of contemporary painting. She was included in the show, Tomorrow is a long time: Ellen De Meutter, Gelitin, Kati Heck, Anton Henning, Friedrich Kunath...