Color Field Painting. Title - Movement in Blue
View Similar Items
1 of 10
Ben GeorgiaColor Field Painting. Title - Movement in Blue2018
2018
About the Item
- Creator:Ben Georgia (1941, American)
- Creation Year:2018
- Dimensions:Height: 60 in (152.4 cm)Width: 60 in (152.4 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:East Hampton, NY
- Reference Number:1stDibs: LU145927714532
You May Also Like
- Orange EdgeLocated in Austin, TXOil on canvas. Signed, titled, and dated verso. 40.25 x 34 in. 41.5 x 35.5 in. (framed) Custom framed in a solid maple floater, with a matte white finish. Provenance The Betty Par...Category
1960s Color-Field Abstract Paintings
MaterialsCanvas, Oil
- Arapahoe XIIBy Ludwig SanderLocated in Austin, TXOil on canvas. Signed, titled, dated verso. 40 x 44 in. 41.5 x 45.5 in. (framed) Custom framed in a natural cherry floater. Provenance Knoedler Contemporary, New York Ludwig Sand...Category
1970s Color-Field Abstract Paintings
MaterialsCanvas, Oil
- Blue Light 1By Ruth PastineLocated in Boca Raton, FLBlue colorfield painting on canvas on beveled stretchersCategory
21st Century and Contemporary Color-Field Abstract Paintings
MaterialsCanvas, Oil
Price Upon Request - (Ein Wunsch)Located in New York, NYUwe Kowski examines his interactions with his environment in paintings that turn imagery and symbols from everyday life into vibrant abstract compositions. Probing the medium’s poten...Category
2010s Color-Field Abstract Paintings
MaterialsCanvas, Oil
Price Upon Request - Anne Russinof, Amaryllis, 2016, Oil on canvas, Color Field, AbstractionBy Anne RussinofLocated in Darien, CTRussinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The paint-ings are process-based in the sense that one is aware of drips and the accretion of layers, and also flirt with their role as objects by virtue of the gesture’s relation to the painting edge. Color serves to create a window onto natural space and light, even as the forms themselves acknowledge their own framing. She often thinks in these works of Renaissance portraits where the sitter’s forearm rests on the very edge of the frame, inviting intimacy, with a tiny landscape...Category
2010s Color-Field Abstract Paintings
MaterialsCanvas, Oil
- Anne Russinof, Persian 2, 2018, Oil on canvas, Color Field, AbstractionBy Anne RussinofLocated in Darien, CTRussinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The paint-ings are process-based in the sense that one is aware of drips and the accretion of layers, and also flirt with their role as objects by virtue of the gesture’s relation to the painting edge. Color serves to create a window onto natural space and light, even as the forms themselves acknowledge their own framing. She often thinks in these works of Renaissance portraits where the sitter’s forearm rests on the very edge of the frame, inviting intimacy, with a tiny landscape...Category
2010s Color-Field Abstract Paintings
MaterialsCanvas, Oil