Brian Jerome

When You Die, I Will Die As Well

2016

waking up everyday we automatically go through the day based on the lessons and life or experience from all the days before. but each day it gets different and less recognizable. sam...

if reincarnation or a loop in quantum time exists, it could not compare to what it has been in this experience.

I met my best friend during my freshman year at Tyler School of Art in 2008. We bonded over The Boondocks, the band Rancid, and comic books. We both wanted to be illustrators. For th...

What else can be said about 2020? About life? It keeps going on in a chaotic manner. I was raised to believe in a creator and an orchestration. I am reminded every second that was fa...

Acrylic on canvas 72.80 x 59 in Unstretched While Aitala´s artwork has its beginnings in the neo-expressionism, within the years it was gradually adopting all kinds of facets and styles that being fused, have reached a particular work of amazing and “questionable” originality, like he himself likes to claim. In his paintings nothing is pure, everything receives an influence, a touch that marks it. He superimposes figurative motifs until he gets an abstract weave...

The Way Things Were [2020-21] Original Abstract Acrylic and oil on canvas Size: H:95 cm x W:85 cm x D:3cm Sold Unframed Please note that insitu images are purely an indication of how...

William Scharf Untitled, 1962 Signed lower left; signed and dated verso Oil on canvas 48 x 50 inches A visionary painter with ties to the avant-garde artistic community in New York at midcentury, William Scharf nevertheless defies art historical categorization. His abstracted compositions of organic and geometric formal elements recall the free associations of Surrealism and the all-over grandeur of Abstract Expressionism, and at the same time embody a very individual and immediately recognizable pictorial sense. Scharf combines virtuoso paint handling, vibrant color, and rich symbolic language in canvases that engage the viewer in a transcendent and emotional dialogue. This dialogue is accomplished in part through recurring symbols, which allude to hidden, mysterious narratives. Scharf plumbs the psychological wells of collective myths for symbolic content: the crown of thorns, the ladder, the fish, and the cross can be found throughout, functioning not, as one might expect, as religious symbols, but rather as a means through which to access a deeper, symbolic level of visual communication. Born in 1927 in Media, Pennsylvania, an early friendship with renowned artist N.C. Wyeth encouraged Scharf’s artistic efforts from a very young age. After a time with the Army Air Corps in the mid-1940s, Scharf formalized his art studies at the Pennsylvania Academy of the Fine Arts under Franklin Watkins...