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Candice Eisenfeld
Red Pond Trees, Abstract Painting

2019

$4,150
£3,187.02
€3,652.29
CA$5,842.17
A$6,544.53
CHF 3,410.30
MX$79,829.72
NOK 43,337.03
SEK 40,863.73
DKK 27,259.67

About the Item

Artist Comments
A stand of trees on a hill overlooking a pond during a sunny day with blue skies. The scene is framed with a deep red abstraction characterized by a very thick, bumpy surface similar to the surface of the bark on the trees.


About the Artist


Words that describe this painting: forest, trees, woods, hudson river school, window, landscape, contemporary, meditation, peaceful, serene, quiet, abstract, nature, non-representational, vintage, acrylic painting, red


Red Pond Trees
Candice Eisenfeld
Acrylic painting on wood
Natural wood edges
Ready to hang
One-of-a-kind
Signed on front and back
2019
36 in. h x 36 in. w x 3 in. d
20 lbs. 0 oz.


  • Creator:
  • Creation Year:
    2019
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Red Pond Trees. Candice Eisenfeld. Acrylic painting on wood. Natural wood edges. Ready to hang. One-of-a-kind. Signed on front and back.
  • Gallery Location:
    San Francisco, CA
  • Reference Number:
    Seller: 657591stDibs: LU92215152962

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About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...

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Valerie Berkely uses her finger tips as brushes to create her abstract paintings. For Valerie, the art is all about the process, the paint, her mood, and the moment. She admires the artist Wolf Kahn, who once said, “the picture is the conclusion of an experiment in which the hint of an image becomes actuality." Like Kahn, Valerie’s paintings combine pictorial landscapes with painterly abstraction. The vibrant primary colors capture the hues of the sun rising and setting, and the texture of her fingers across the surface divides sea, land, and sky. There is something very dreamy about these works, exemplified by their color, texture, and atmospheric quality. Valerie’s first “art epiphany” was seeing Seurat's La Grande Jatte at the Art Institute of Chicago. “Bowled me over! I actually fell down. And I knew I was to become a painter.”


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