Candice EisenfeldRed Pond Trees, Abstract Painting2019
2019
About the Item
Artist Comments
A stand of trees on a hill overlooking a pond during a sunny day with blue skies. The scene is framed with a deep red abstraction characterized by a very thick, bumpy surface similar to the surface of the bark on the trees.
About the Artist
Words that describe this painting: forest, trees, woods, hudson river school, window, landscape, contemporary, meditation, peaceful, serene, quiet, abstract, nature, non-representational, vintage, acrylic painting, red
Red Pond Trees
Candice Eisenfeld
Acrylic painting on wood
Natural wood edges
Ready to hang
One-of-a-kind
Signed on front and back
2019
36 in. h x 36 in. w x 3 in. d
20 lbs. 0 oz.
- Creator:
- Creation Year:2019
- Dimensions:Height: 36 in (91.44 cm)Width: 36 in (91.44 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Red Pond Trees. Candice Eisenfeld. Acrylic painting on wood. Natural wood edges. Ready to hang. One-of-a-kind. Signed on front and back.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 657591stDibs: LU92215152962
- ShippingRetrieving quote...Shipping from: San Francisco, CA
- Return Policy
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Artist Candice Eisenfeld draws inspiration from the silhouetted trees of the rainforests of Northern Georgia. "One early morning as the fog was clearing, a hawk guided me through the mountains," shares Candice. "The hawk led me through ethereal, meditative places with overwhelming beauty." She took photographs of her journey and painted her experiences of the adventure. "The bottom image depicts the rough, beginning of the journey and the scene portrays the ending. The rough, orange texture denotes the bark of the trees."
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As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...
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Building up many layers of color in oil paint and cold wax medium, Valerie then used scrapers to reveal the tree trunks in an abstract landscape. Warm orange and yellow trees standing in front of a cool blue and green background. Heavy texture complements the expressionist palette. The piece is part of a series of three works. Although Valerie did not create them as triptych, the three hang well close together.
About the Artist
Valerie Berkely...
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Building up many layers of color in oil paint and cold wax medium, Valerie then used scrapers to reveal the tree trunks in an abstract landscape. Warm orange and yellow trees standing in front of a cool blue and green background. Heavy texture complements the expressionist palette. The piece is part of a series of three works. Although Valerie did not create them as triptych, the three hang well close together.
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Valerie Berkely uses her finger tips as brushes to create her abstract paintings. For Valerie, the art is all about the process, the paint, her mood, and the moment. She admires the artist Wolf Kahn, who once said, “the picture is the conclusion of an experiment in which the hint of an image becomes actuality." Like Kahn, Valerie’s paintings combine pictorial landscapes with painterly abstraction. The vibrant primary colors capture the hues of the sun rising and setting, and the texture of her fingers across the surface divides sea, land, and sky. There is something very dreamy about these works, exemplified by their color, texture, and atmospheric quality. Valerie’s first “art epiphany” was seeing Seurat's La Grande Jatte at the Art Institute of Chicago. “Bowled me over! I actually fell down. And I knew I was to become a painter.”
Words that describe this painting: woods, forest, trees, nature, expressionism, nature, non-representational, oil painting, blue
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