Carol Carpenter

Beaches, original 40x30 abstract expressionist marine landscape

Let your imagination run free throughout your fantasy coastal paradise! Visit that magic spot where the sand forms images in the sky in tones of heather and azure while the ocean's ...

Wave play is all about the miraculous action of the sea at the edge of earth. It is all about the excitement and motion and the play of colors as the sunlight glistens upon the ocean blues, the sandy beiges, creams and taupes and how it makes you feel! The undertow crashes into the beachfront demanding control of the powerful surf! The gritty texture of nature in this original oil painting never recedes! This marine landscape commands attention with the free feeling abstract expressionism brush strokes, impasto paint application and insistence that it remains an organic reflection of the artist's experiences. International artist Anita Lewis...

When sailing is your passion, your sense of adventure and excitement, you feel simply surrounded with shore views in every direction, which allures you into hoisting up your sails just to feel that salt air on your skin, then you know that you are in your element. You have embarked upon a day to remember! This original contemporary 30x40 x 1.5 marine landscape is ideal for any transitional home that is home to a sea lover. A first generation American, New Jersey artist Catherine Andersen...

How wonder filled it is to witness the natural beauty of a sunrise over the ocean on one of those blessed early summer mornings. You feel the ocean amidst while luxuriating in the d...

In "Lights of the Shore", Sophie Dumont captures the essence of coastal light through a subtle interplay of colors and textures, using a palette knife to bring a dynamic, expressive ...

Frameless

Beach Coming by Pixie Willoughby is an original work. This piece depicts wonderful mixtures of colours that comes with a beautiful seascape sunset. Pixie Willoughby available with W...

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years. Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art. In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn. At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...