Catia Goffinet

Geometric Three Colors 1, Painting, Acrylic on Canvas

2020

Three Geometric Colors 1 Painting: Acrylic on Canvas. Geometric shapes presented in three colors. Lines and shapes that present infinite poss...

The elegance of the geometric lines combined with a contemporary reading. The overlapping layers give a lightness and a sophisticated refinement in this series of works of pure li...

The elegance of the geometric lines combined with a contemporary reading. The overlapping layers give a lightness and a sophisticated refinement in this series of works of pure li...

Ready to hang The simple and pure forms of geometry with an elegant and current reading. I have a strong passion for lines and shapes. I like to vary my work between the purity of...

Kenneth Licht (American, 1923-XX), Geometric Composition, Acrylic on Canvas, circa 1965, unsigned, Patrick Parrish Gallery label to verso, gold-tone metal frame. Image: 15.25" H x 11...

Painting description: This is a new piece from my ongoing series, "Stripes & Shape". My attempt is to combine two elements in a non objective format. Impressions of overlapping trans...

Bernardo Tomas Untitled 2021 27.5 x 22.5 in Woodcut and Silkscreen on Arches Paper, limited edition of 20 geometric abstract print. Framing options available. Bernardo Navarro Tomá...

Geometric abstraction painting by Brazilian-born artist Elizabeth Freire. Painting is acrylic on canvas. Signed on reverse and titled "From the Center". B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo and the architect Oscar Niemeyer. She then traveled extensively throughout Europe and North Africa. In 1983, the sculptor Cardenaz advised her to go to Carrara in Italy to develop her carving skills. She spent the following two years at the Studio Nicoli where she met the sculptors Knutt Steen, Gigi Guadagnucci...