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Cecil TouchonOriginal Painting on Panel Titled: "PDP646” 20172013
2013
About the Item
Painting on Panel signed verso
Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Colorado. Co-founder of the International Post-Dogmatist Group, Touchon is director of the group's Ontological Museum, Founder of the International Museum of Collage, Assemblage and Construction and founder of the International Society of Assemblage and Collage Artists.
In 2005 an exhibition was held in Cuernavaca, Mexico entitled "Cecil Touchon - Thirty Years of Fluxing Around" in which art works and scores dating as early as 1975 were exhibited showing the fluxus tendency in Touchon's work over the last thirty years. Touchon has never been formally associated with the Fluxus group until the year 2000 with his participation in the Fluxlist - an email group where the current generation fluxus artists interact and collaborate. In 2002 Touchon, with a number of other artists from the Fluxlist established the Fluxnexus - a group of artists working together on various new Fluxus projects including a new Fluxus performance workbook. In 2006 Touchon established the FluxMuseum in order to assemble and archive samples of works by contemporary 21st Century Fluxus artists. The central focus of the Fluxmuseum has been the creation of Fluxus related publications and curating and mounting international exhibitions of Fluxus art called Fluxhibitions.
Touchon co-founded the International Post-Dogmatist Group (IPDG) in 1987. Primarily an alternative to a post-modernist view of the world, the group's writings suggest that creativity and artistic pursuits must be based in a recognition of the spiritual underpinnings of all human activities. The IPDG addresses itself to the art world through a presentation of itself as the 'official avant-garde' creating an elaborate bureaucratic structure of outlandish sounding offices through which the various members communicate simulating 'the establishment' as a form of parody.
- Creator:Cecil Touchon (1956, American)
- Creation Year:2013
- Dimensions:Height: 66 in (167.64 cm)Width: 44 in (111.76 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:West Palm Beach, FL
- Reference Number:1stDibs: LU56211799662
Cecil Touchon
Cecil Touchon is a contemporary American collage artist, painter, published poet and theorist living in Santa Fe, New Mexico . Co-founder of the International Post-Dogmatist Group, Touchon is director of the group's Ontological Museum, Founder of the International Museum of Collage, Assemblage and Construction and founder of the International Society of Assemblage and Collage Artists. Cecil Touchon is best known for his Typographic Abstraction works that 'Free the letters from their burden of being bearers of meaning". Touchon's paintings are abstractions based upon typography. Using the techniques of collage, he reassembles portions of letter fonts from billboards and printed material into pure abstractions that transform verbal language into a form of visual architecture. His paintings use trompe l'oeil techniques to painstakingly create the illusion of large collage abstractions. They are characterized by warmly colored geometric shapes — overlapping rectangles and rounded wedges - that seem to revolve and recede into the background. The resulting works are a play of lightness and mass that are both visually striking and, because of the hints of letters, intellectually satisfying. Touchon was born in Austin, Texas. His artistic inspiration was ignited early and explored throughout his childhood and into his young adulthood. He received his BFA from the University of Texas at Arlington. Throughout his career, which spans over 30 years, Touchon has been collected worldwide and figures prominently in the Massurrealism movement. Touchon is a founding member of the 1987 Post-Dogmatist Group as well as a respected member of the Art Mail and Fluxus communities. Touchon's work was exhibited in the 2001 and 2009 Venice Biennale and can be found in more than 45 corporate and international collections.
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