Crayons on Walls #17
View Similar Items
1 of 5
Chris GwaltneyCrayons on Walls #172022
2022
About the Item
- Creator:Chris Gwaltney (1953, American)
- Creation Year:2022
- Dimensions:Height: 60 in (152.4 cm)Width: 60 in (152.4 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Newport Beach, CA
- Reference Number:1stDibs: LU2482213335752
Chris Gwaltney
Balancing between abstraction and figurative, the works of Chris Gwaltney are evocative, luminous, and lush. He balances color with unexpected washes and scribbles; scraping physically from the surface as he generously slaps paint onto the canvas. Having studied Bay Area figurative painters - such as Richard Diebenkorn, Nathan Oliviera, and David Park - and influenced by the works of Joan Mitchell and Robert Motherwell, Gwaltney begins each work with a conversation in mind. He often starts with a vertical gesture, builds with foundations of layers, and allows the composition to reveal itself as he works. Gwaltney lives in Laguna Beach and holds a BA and MA from the University of California State Fullerton. He has exhibited throughout the US, including Peter Blake Gallery (Laguna Beach, CA), Seager Gray Gallery and Robert Green Fine Arts (Mill Valley, CA), Cadogan Contemporary (London, England), Anne Loucks Gallery (Glencoe, IL), Julie Nester (Park City, UT), and Tria Gallery (New York, NY). His work has garnered an international following and resides in numerous public and private collections.
“Because his abstractions in progress bristle with visual interest—including an icing of drips and tangles of wild line—as each work moves toward its conclusion, Gwaltney plays the role of an editor, eliminating anything that he feels stands in the way of expressive clarity. “I think that what great poets do is distill feeling,” he comments. “I want to do the same thing in painting and present the absolute essence of an emotional state.” Because of his rigorous quest for pure feeling, viewers of Gwaltney’s work should understand that the essence of his art is this: what is left is what is needed.” John Seed, Art Writer
You May Also Like
- Untitled 01 [Remains of the Remains 01] - Contemporary, Black, White, AbstractBy Zsolt BerszánLocated in Berlin, DEUntitled 01 [Remains of the Remains 01], 2018 oil on canvas 78 47/64 H x 59 1/16 W in 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
- Diving for PearlsLocated in New York, NYDiving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, versoCategory
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
Price Upon Request - James Joyce's SmileLocated in New York, NYJames Joyce's Smile, 1984 Oil on canvas 66 x 87 in. (167.6 x 221 cm) Signed, dated, and titled, versoCategory
1980s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
Price Upon Request - 'Shattered Atlas: The Modern Burden' - Abstract Cubism Portrait by MasriBy Masri HayssamLocated in Carmel, CAIn "Shattered Atlas: The Modern Burden," the artist Masri presents a 40" x 30" mixed media canvas that epitomizes 'Shattered Cubism,' a style that fragments reality into geometric fo...Category
Early 2000s Abstract Expressionist Portrait Paintings
MaterialsCanvas, Mixed Media, Oil, Acrylic
$52,800 Sale Price20% Off - Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph VasicaBy Joseph VasicaLocated in Soquel, CALarge Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...Category
Mid-20th Century Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
$20,000 Sale Price20% Off - "Manhattan Night Life"By Vaclav VytlacilLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...Category
1930s Abstract Expressionist Abstract Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Robert Motherwell London
Twelve Days Of Christmas
Abstract In Purple
Green Square Art
E Payes Paintings
Holton Rower
Hunt Slonem Golden Marilyn
John Grey Painting
Yves Klein Signed
Modernist Mask
Bridgeport Ct
Frederick Walker
Chris Davis
Steve Fishman
Eye Contemporary Art Gallery
Paintings By Glover
Charles Phillips
Jacques Coulais Mid 20th