Abstract Composition
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Albert ChubacAbstract Compositioncirca 1960
circa 1960
About the Item
- Creator:Albert Chubac (1925, Swiss)
- Creation Year:circa 1960
- Dimensions:Height: 15.75 in (40 cm)Width: 29.53 in (75 cm)Depth: 1.58 in (4 cm)
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Nice, FR
- Reference Number:1stDibs: LU52831513673
About the Seller
4.8
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1998
1stDibs seller since 2016
79 sales on 1stDibs
Typical response time: 1 to 2 days
More From This SellerView All
- Abstract Composition XVII, 1994 - mixed media, 45x102 cm.By Paolo PeterléLocated in Nice, FROil on plaster and resin, circa 1994Category
Late 20th Century Abstract Abstract Paintings
MaterialsMixed Media
- Abstract Composition II, 1994 - mixed media, 72x72 cm.By Paolo PeterléLocated in Nice, FRMixed media Painting on plaster and resin with various materials like iron wood etc ...Category
Late 20th Century Abstract Abstract Paintings
MaterialsMixed Media
- Abstract Composition VM, 1995 - mixed media, 65x65 cm, framedBy Paolo PeterléLocated in Nice, FRMixed media on plywood, signed lower right.Category
1990s Abstract Abstract Paintings
MaterialsMixed Media
- Abstract Composition PIII, 1992 - mixed media, 82x61 cm, framedBy Paolo PeterléLocated in Nice, FROil on plywood and mixed media, signed lower rightCategory
Late 20th Century Abstract Abstract Paintings
MaterialsMixed Media
- Abstract Composition XVI, 1956 - oil paint, 35x65 cm., framedBy Hettner SabineLocated in Nice, FROil on canvas, signed lower left Sabine Hettner (born 4 October 1907 in Florence; died October 1985 in Paris) was a French modernist painter. Life Sab...Category
Mid-20th Century Abstract Abstract Paintings
MaterialsOil
- Abstract Composition WL1, 1978 - oil paint, 111x204 cmBy Leo WeselLocated in Nice, FROil on canvas, signed lower left The painter, sculptor and lithographer Leo Wesel was born in Roosendaal, a small town in the south of the Netherlands, in 1955. From an early age he had the ambition to build his life around Art. He studied at the Fashion and Design Academy in The Hague, then at the Academy of Fine Arts in Roosendaal. He has been working as an artist since the early 1970s. He discovers Italy and decides to settle in Vintimille in 1980 and then in Nice in France in 2001 with the Franco-New York sculptor Kim Boulukos. He will follow the formation "Lavoro con Ardesia" (Work slate) in 2002 and 2003 in the small town of Molini di Triora in Italian Liguria (near Imperia). Leo Wesel has long maintained a close working relationship with Wim Schütz and Wim Bouthoorn, two Dutch expressionist...Category
Late 20th Century Abstract Abstract Paintings
MaterialsOil
You May Also Like
- "Gioia" Large Scale Acrylics, Oil Pastels and Pencils Abstract Painting 72"x108"By Karina GentinettaLocated in New York, NY"Gioia" ("Joy" in Italian) 2023, 72" x 108" large scale acrylics, house paint, oil pastels, wax crayons, and pencils abstract work on canvas by Argentine born artist Karina Gentinett...Category
21st Century and Contemporary Abstract Expressionist Mixed Media
MaterialsOil Pastel, Wax Crayon, House Paint, Acrylic, Carbon Pencil, Color Pencil
- "In A Mood" Large Scale Acrylic, Oil Pastels, and Pencils Abstract 72"x96"By Karina GentinettaLocated in New York, NY"In A Mood" 2023, 72" H x 96" W. Large scale abstract painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (featured in Elle ...Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsOil Pastel, Acrylic, Carbon Pencil, Color Pencil, Watercolor
- "Adagio in Blue" Large Scale Acrylic, Oil Pastels, Pencils Blue Abstract 72x96By Karina GentinettaLocated in New York, NY"Adagio in Blue" 2023, 72" H x 96" W. Large Scale horizontal abstract painting consisting of acrylic, home paint, pencils and oil pastels on canvas by Argentine-born artist Karina G...Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsOil Pastel, House Paint, Acrylic, Carbon Pencil, Color Pencil
- "Masquerade" Large Scale Acrylic, Oil Pastels, Pencils Abstract in Pinks 48x60By Karina GentinettaLocated in New York, NY"Masquerade" 2024, 48" H x 60" W. Large-scale, multi-colored abstract painting consisting of acrylic, house paint, pencils, and oil pastels on canvas by Argentine-born artist Karina ...Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
MaterialsOil Pastel, House Paint, Acrylic, Carbon Pencil, Color Pencil
- Untitled (Study for Līnea)Located in Washington, DCPoured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...Category
21st Century and Contemporary Abstract Geometric Mixed Media
MaterialsWax Crayon, Sumi Ink, Archival Paper, Graphite
- Untitled (Study for Līnea)Located in Washington, DCPoured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
MaterialsWax Crayon, Sumi Ink, Archival Paper, Graphite