Clayton Anderson

Visionary Surrealist Totem Abstract -- Fragment Under Grey Sky

circa 1979

Surreal figurative abstract depicting a half man, half tree figure on a pedestal in a dream-like, abstracted white and blue space by Bay Area artist Michael Pauker (American, b. 1957...

Walking Creature, Contemporary Surreal Figurative Abstract by Michael William Eggleston Bold and imaginative contemporary figurative abstract by San Francisco artist Michael William...

Detailed surrealist landscape depicting a barren, desert-like scene with small boats by Clayton Anderson (American, b. 1943). Signed "CLAY ANDERSON" on v...

Highly detailed surrealist composition evoking tribal, abstracted carved stone-like shapes fitting together like a three dimensional sphere shaped puzzle, floating in a sky blue space by Clayton Anderson (American b. 1943). Textured plaster border around the edge of the piece. Signed "Clayton Anderson" along the upper left edge and on verso. Presented in a deep maple box frame. Clayton Anderson (American, b. 1943) studied at the Pennsylvania Academy of the Fine Arts and worked with Ben Kimihira, Walter...

Federico Castellon Boats in the harbor, ca. 1950 Oil on paper 25 1/5 × 17 3/10 in 64 × 44 cm (without frame) Frame included

"Tzadik" A Surrealist oil painting of old mystical Jerusalem with Hebrew calligraphy Sight 13.25" x 19.5" ; frame: 21" x 27.25" David Rakia (1928-2012) was born in Vienna, Austria...

Carlos Ortuzar (Chilean, 1932-1985). Estaban Milla es Salvado de las Garras del Huecupor su Companero Lorenzo Huerta, ca. 1964. Oil on paper mounted to cradled masonite panel, 22 x 28.75 inches. Titled lower edge. Unsigned. Some loss of paint on the highest areas of protrusion. Corners show heavy wear will loss of paper ground. Provenance: Doyle Auctions; Couturier Gallery, Stamford CT. Carlos Ortúzar Worthington was born on March 17, 1935 in Santiago, Chile. He studied theater, law and philosophy. He entered the School of Fine Arts of the University of Chile in 1956, where he had as teachers Gustavo Carrasco, Marta Colvin...

Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion and punk music. In those years a new artistic sensibility was being formalized in Milan, whose roots no longer sank in the history of art and in the citation but practiced the critical manipulation of reality and its communication through the mass media. The image was taken out of context, subtracted from the use of common sense, radically distorted, almost mocked. The work of Marco Cingolani, from the beginning, has always tried to cancel the regulatory power of media images, subjecting them to the radical care of the artist, certain that art offers a decisive point of view for the interpretation of the world. In this context the interviews of the Interviews were born, where celebrities for their privacy were submerged by the microphones and the famous series dedicated to the attack on the Pope and to the tragic story of Aldo Moro. After having participated in numerous group exhibitions including An emerging scene (1991, Museo Pecci, Prato) and Two or three things that I know of them (1998, PAC, Milan), he is dedicated to major anthological exhibitions at prestigious public institutions such as Palazzo Strozzi in Florence and Promoter of Fine Arts in Turin. In November 2006 he took part in the collective exhibition "Senza famiglia", in the Palace of the Promoter of Fine Arts in Turin. In 2007 Cingolani received a further consecration: the Galleria Emilio Mazzoli hosts the exhibition entitled "What color are they?" in which the pictorial reflections on the color of Power and its disguises are presented. The art of Cingolani has always been fascinated by the passage from news to history and vice versa; also in this case the UN blue helmets, the red urn containing the electoral ballots, the multicolored segments of the Wall Street charts, the military uniforms and the party flags are contextualized in highly symbolic scenarios. In 2009 a return to the origins for Marco Cingolani, often the author of works expressly inspired by the religious theme. In particular, for this exhibition entitled " Percorsi della Fede", the artist focused his attention on the Marian apparitions that have marked the last two centuries: Lourdes and Fatima . In the same year an exhibition in Lucca at the National Museum of Villa Guinigi, joins him to some of the leading Italian artists of the last two generations; by the universally recognized and celebrated masters, present in the main international museums such as Mimmo Paladino, Sandro Chia, Salvo, passing through some of the protagonists of the 52nd Venice Biennale as Gian Marco Montesano, Daniele Galliano, Nicola Bolla, Bertozzi & Casoni who exhibited in 2009 in contemporary at the Lucca exhibition and at the Italian Pavilion of the Venetian event, to get to the young artists of the last generation already present in important national and international artistic events. Giacinto di Pietrantonio invites him the following year, 2010 to PAC, Pavilion of contemporary art in Milan, for the collective exhibition "Hybrid", alongside Jan Fabre, Gilbert & George, Charles Avery, Damien Hirst, Piotr Uklanski, Patrick Tuttofuoco and other great ones on the international scene. 2012 is the year of "Il Belpaese dell'arte", at Gamec di Bergamo, always curated by Pietrantonio and Maria Cristina Rodeschini, in the company of Elmgreen...