Dan Teis

Candy Stripes X, Geometric Abstract Painting by Dan Teis

1979

Artist: Peter Mack Title: Stripes One Year: circa 1980 Medium: Acrylic on Canvas with Clear Vinyl Overlay, signed l.r. Size: 48 x 48 in. (121.92 x 121.92 cm) Frame Size: 49 x 49 inches

Artist: Martin Canin, American (1927 - ) Title: Untitled - Stripes Year: 1972 Medium: Serigraph, signed and numbered in pencil Edition: AP Size: 27 x 40 inches

Kestutis Edward Zapkus was born in Lithuania in 1938. He was predominantly influenced creatively by the Abstract Expressionist movement in Post War New York. Zapkus soon immigrated t...

Artist: Dan Teis Title: Red Chevron and Dots Date: 1978 Acrylic and Collage on Canvas, signed l.r. Size: 36 in. x 48 in. (91.44 cm x 121.92 cm)

Artist: Jack Graves III (American, 1988-) Title: "Diamond XXXV" Series: Diamond *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2021 Medium: Origin...

Painting description: This is a new piece from my ongoing series, "Stripes & Shape". My attempt is to combine two elements in a non objective format. Impressions of overlapping trans...

Jay Rosenblum (1933 - 1989) Untitled, 1973 Acrylic on canvas 54 x 128 inches Signed twice and dated on the reverse Provenance: Private Collection, Long Island Jay Rosenblum experim...

Abstract. Vibrant. Painting. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations with scholars in various fields of music, architecture and engineering, my life experiences and travels." Thomas Paul Raggio...