Daniel Alexander Gorski

Untitled

1963

DANIEL GORSKI Untitled, 1964 Acrylic on canvas mounted on board 90 x 90 inches

DANIEL GORSKI Sentinel #1, 1964 Acrylic on canvas 85 x 23 inches

Richard Anuszkiewicz Red Edged Magenta, 1977 - 2017 36 x 36 inches Acrylic on canvas

Richard Anuszkiewicz Twilight Magenta Square, 1977 - 2017 30 x 30 inches Acrylic on canvas

Richard Anuszkiewicz Pale Green Square, 1977 - 2018 36 x 36 inches acrylic on canvas

Richard Anuszkiewicz Radiant Blue 1977 - 2017 30 x 30 inches acrylic on canvas

Acrylic and canvas collage on canvas by 20th century artist Margo Hoff (1910-2008). An abstract geometric painting in Margo's signature style of canvas collage, laying bits of canva...

Entitled "Study for Tarantula Nebula," this painting by Chicago-based artist Jan Pieter Fokkens offers a representation of the gigantic star-forming region of the same name. Located in the Large Magellanic Cloud, nearly 160,000 light years from earth, it's the birthplace of an astonishing number of massive stars, some roughly 100 times the mass of the Sun. Inspired by telescope images of deep space, contemporary computer compression algorithms and early non-representational art...

"Disappearance of Appearance" 48" x 96" is a one-of-a-kind, minimalist, oversized, large-scale, monochrome, geometric, white on white, light grey, contemporary, modern, textured rais...

Painting on Sculpted Canvas. An abstract illusionist work by artist Jack Reilly. After receiving his MFA from Florida State University, in 1978 Jack...

Painting on stretched canvas over sculpted stretcher bars, constructed by the artist. The work has been painted to give the illusion that it is a raised cube when in fact it is a 2-dimensional shaped canvas. Multiple acrylic paints and acrylic pigments have been used in each 'Stripe' of this work. Many are semi transparent or metallic pigments, causing a nice nuance in color depending on the lighting of the work. After receiving his MFA from Florida State University, in 1978 Jack Reilly moved to Los Angeles. His paintings were soon discovered by prominent Los Angeles art dealer Molly Barns, who offered him a solo exhibition with her gallery. Donald Brewer, curator of the Fisher Museum at the University of Southern California, introduced Reilly’s paintings in 1979 in a major museum exhibition entitled The Reality of Illusion, which opened at the Denver Art Museum and traveled for two years to the Oakland Museum, USC Fisher Museum, Johnson Museum at Cornell, Honolulu Academy of Arts, among other institutions nationwide. This series of museum exhibitions, along with numerous solo shows and reviews, established Reilly as one of the original artists of the Abstract illusionism painting movement. In 1979 Reilly received a National Endowment for the Arts Grant. Although he is best known for his abstract paintings on shaped canvas, he also works in representational imagery and mixed-media. By the early 1980s, Reilly's paintings were represented by galleries in major American cities including the Molly Barnes Gallery in Los Angeles, Aaron Berman Gallery in New York, Foster Goldstrom Fine Arts in San Francisco, Marilyn Butler gallery in Scottsdale and numerous others. Articles and reviews on Reilly's paintings were subsequently published in Arts Magazine, Art Week, the Los Angeles Times, New York Artworld, and in books including American Art Now by noted author and art critic Edward Lucie-Smith, and Inside the L.A. Artist by Marva Marrow. Such notable collectors of the era, including Fred and Marcia Weisman, Steve Martin...

Fabric and acrylic on canvas