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Danielle Hacche
Shape of Resonance 13

2024

About the Item

pastel on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of materials. Drawing inspiration from the Bauhaus movement and Brutalist architecture, i create abstract compositions on paper and raw canvas, where the materials themselves remain exposed and integral to the piece. These works are informed by the stark geometry and functional beauty of modernist design, but softened through a deliberate use of feminine, subtle color palettes. In my practice, the unadorned surfaces of paper and canvas become as much a part of the work as the colours and forms that inhabit them. The raw texture and simplicity of these materials reflect a sense of honesty and permanence, while the soft, ethereal hues contrast with the often rigid, angular forms found in architectural minimalism. The result is a dialogue between the brutal and the delicate, where each piece is both a meditation on the foundational principles of design and an exploration of color, texture, and space. Through this balance of structure and softness, I aim to create works that invite contemplation, offering a space where the viewer can experience the quiet power of simplicity and the nuanced interplay of form and feeling.
  • Creator:
    Danielle Hacche (1979, English)
  • Creation Year:
    2024
  • Dimensions:
    Height: 10.5 in (26.67 cm)Width: 10.5 in (26.67 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Phoenix, AZ
  • Reference Number:
    1stDibs: LU13715595142

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Shape of Resonance 16
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pastel and micron pen on paper, framed b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of ma...
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Shape of Resonance 17
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By Louise Blyton
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b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
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