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David SkillicornHarmonia 14-12024
2024
$7,500
£5,705.78
€6,671.80
CA$10,489.08
A$11,783.30
CHF 6,270.93
MX$145,704.97
NOK 76,412.05
SEK 73,879.48
DKK 49,765.41
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About the Item
This minimalist layered painting is by David Skillicorn.
Hw began his career as a documentary filmmaker and is a self-taught artist.
His process is one of applying paint liberally, carving and digging back into it, and building up layers.
He allows his intuition to be the primary driving force, although he makes hundreds of decisions as the work emerges.
Through the process of application and excavation Skillicorn“finds” the painting as much as “makes” it.
He strives for his work to convey something that is not so much experienced with the mind, as felt with the body…. in an intimate, visceral, and contemplative way.
- Creator:David Skillicorn (American)
- Creation Year:2024
- Dimensions:Height: 48 in (121.92 cm)Width: 40 in (101.6 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Westport, CT
- Reference Number:1stDibs: LU1389215054352
David Skillicorn
David Skillicorn's life as a visual artist began with extensive work with video in the late 1970's, leading to an earlier career as a multiple Emmy award-winning documentary filmmaker. His visual vocabulary deepened through those years while filming more than a million images across a wide spectrum of cultures and landscapes in more than forty countries. His intensive experiences filming the textures of culture, color and landscape throughout the world have had a lasting impact on his visual sensibilities and inform the unique visual language he has brought to his work as an abstract painter for the past twenty years. Skillicorn shows his work regularly at galleries throughout the United States, and has exhibited in a number of solo and juried group exhibitions nationwide. His paintings are part of innumerable public and private collections throughout the country, including Johns Hopkins, Regent Hotel, Intel, Northern Trust Bank and many others.
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