David Syre

The Universe From the Nooksack River, Abstract, Acrylic on canvas

2019

Carolanna Parlato is a contemporary artist who has exhibited widely in New York City and throughout the U.S. since the 1990s. Her paintings have been written about in numerous publications including The New York Times, Art in America, The Boston Globe, Artcritical, ArtNews, Two Coats of Paint, The New Criterion, White Hot Magazine and The Brooklyn Rail. Solo exhibitions include the Islip Art Museum; the Phatory (NYC); Elizabeth Harris Gallery (NYC); and Morgan Lehman Gallery (NYC). She has been included in group exhibitions at Asya Geisberg Gallery, The Drawing Center and the Brooklyn Museum, among others. Public collections include the Brooklyn Museum; ArtBank Collection (DC); The Library of Congress (DC); Public Art for Public Schools (NYC); the Francis Greenburger Collection (NYC); the Islip Art Museum, New York Presbyterian Hospital and the Art in Embassies...

Carolanna Parlato is a contemporary artist who has exhibited widely in New York City and throughout the U.S. since the 1990s. Her paintings have been written about in numerous publications including The New York Times, Art in America, The Boston Globe, Artcritical, ArtNews, Two Coats of Paint, The New Criterion, White Hot Magazine and The Brooklyn Rail. Solo exhibitions include the Islip Art Museum; the Phatory (NYC); Elizabeth Harris Gallery (NYC); and Morgan Lehman Gallery (NYC). She has been included in group exhibitions at Asya Geisberg Gallery, The Drawing Center and the Brooklyn Museum, among others. Public collections include the Brooklyn Museum; ArtBank Collection (DC); The Library of Congress (DC); Public Art for Public Schools (NYC); the Francis Greenburger Collection (NYC); the Islip Art Museum, New York Presbyterian Hospital and the Art in Embassies...

Carolanna Parlato is a contemporary artist who has exhibited widely in New York City and throughout the U.S. since the 1990s. Her paintings have been written about in numerous publications including The New York Times, Art in America, The Boston Globe, Artcritical, ArtNews, Two Coats of Paint, The New Criterion, White Hot Magazine and The Brooklyn Rail. Solo exhibitions include the Islip Art Museum; the Phatory (NYC); Elizabeth Harris Gallery (NYC); and Morgan Lehman Gallery (NYC). She has been included in group exhibitions at Asya Geisberg Gallery, The Drawing Center and the Brooklyn Museum, among others. Public collections include the Brooklyn Museum; ArtBank Collection (DC); The Library of Congress (DC); Public Art for Public Schools (NYC); the Francis Greenburger Collection (NYC); the Islip Art Museum, New York Presbyterian Hospital and the Art in Embassies...

Carolanna Parlato is a contemporary artist who has exhibited widely in New York City and throughout the U.S. since the 1990s. Her paintings have been written about in numerous publications including The New York Times, Art in America, The Boston Globe, Artcritical, ArtNews, Two Coats of Paint, The New Criterion, White Hot Magazine and The Brooklyn Rail. Solo exhibitions include the Islip Art Museum; the Phatory (NYC); Elizabeth Harris Gallery (NYC); and Morgan Lehman Gallery (NYC). She has been included in group exhibitions at Asya Geisberg Gallery, The Drawing Center and the Brooklyn Museum, among others. Public collections include the Brooklyn Museum; ArtBank Collection (DC); The Library of Congress (DC); Public Art for Public Schools (NYC); the Francis Greenburger Collection (NYC); the Islip Art Museum, New York Presbyterian Hospital and the Art in Embassies...

by Iryna Burda: The Depths of the Subconscious Iryna Burda’s work resonates with Jungian archetypes, particularly the fish as a symbol of the subconscious, intuition, and deep psyc...

A multidisciplinary artist and experimental musician with synaesthesia, Jake-Andrew's practice is centred around the way the mind can perceive audio stimulus as colour, texture, shape and movement. Exploring sensory perception, Jake-Andrew documents the emotional and physical response to the relationships that exist between colour and sound, and how they can reflect the minutiae and melancholia of the human condition through gestural abstraction and introspective layering; exploring the progression of his physical practice for the digital renaissance by introducing pixel manipulation to digital gesture and occasionally physical attributes through coding. Jake-Andrew's work exists as an expressive, physical performance that allows him to create projected installation environments and immersive experiences; either on screen or in situ. Which affects the relationship that all of us have with colour and sound. Undertaken projects with Glenfiddich, Braun Audio...

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Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...