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Deborah LanyonPush, Deborah Lanyon,2020
2020
$3,699.17
£2,700
€3,183.46
CA$5,096.90
A$5,675.39
CHF 3,001.28
MX$69,065.99
NOK 37,831.77
SEK 35,643.09
DKK 23,759.02
About the Item
I often use collage or other mixed media. I favour acrylic, a quick-drying medium, to make the collage adhere to the surface of the canvas. I tend to work rapidly and very physically, with the canvases positioned on the floor, checking them periodically by raising them onto a wall or easel. Given the large scale on which I work (I regularly produce paintings which are six or even eight feet by four), 1 find that working on the floor is the best means to ensure a dynamicapplication of the paint. At this preliminary stage, the process of composition is more visceral and intuitive; when the canvas is raised, I work more intellectually, to check and shape the direction that the painting has been taking.
These are quite separate ‘moments’ which I compare to chess; on the floor I ‘attack’ the object from an emotional stance; when the painting is vertical, I enter a mode of ‘defence’, editing what has gone before.
In recent years, I have had solo shows with James Colman, The Air Gallery and Archeus Fine Art; and group shows at the Royal College of Art, the British Art Fair, Islington Art Fair, and Art First, amongst other venues.
- Creator:Deborah Lanyon (1958, British)
- Creation Year:2020
- Dimensions:Height: 40.16 in (102 cm)Width: 40.16 in (102 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU63238310922
Deborah Lanyon
Deborah Lanyon’s large abstract paintings come from a generation of artists, mostly men, including John Hoyland, Frank Bowling, Howard Hodgkin and Sean Scully. Like those artists, she works rapidly and physically with canvases positioned on the floor, letting the paint have its own voice. Yet the feminine subtleties give the work interest and difference from those of the male painters in this genre. The paintings are the voice of a woman and a reflection of her personality: physical but effortless; dynamic yet soft; harmonious and rhythmic. They have something else to say that gives them a place in the evolution of abstract painting through the last four decades. DEBORAH LANYON b. 1958 Solo Exhibitions Coningsby Gallery, 2021, Joanna Bryant Projects @ Foundry Gallery, 2019, Coningsby Gallery, 2017; Gallery 286, 2014; David Curzon, 2010; Fountain Gallery, 2007; Gallery 286, 2003; Archeus Fine Art, 2000; Air Gallery, 1999; James Colman, 1997; Pike Gallery, 1995; Milne and Moller, 1993 Art Education St Martin’s School of Art, 1977-78; Byam Shaw College of Art 1979-81; BBC Design Department 1982-86; Putney School of Art 1986-90; Oliver Bevan Studio 1991-94
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