Debra Drexler

"Baroque Plum" Contemporary Large Scale Abstract Painting

2019

84"x60" oil and acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Tangerine and pale ora...

72"x48" acrylic and oil on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Violet and blue hues are contrasted with neon orange and deep red orange forms. A circular form of violet attracts a central focus in the fields light orange and nearly pastel blue undertones in this stunning vibrant painting by the artist Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

"Verdant Shield" is an apt titled for this green toned abstract painting by Debra Drexler. Blues and turquoise create vertical fields of color atop an atmospheric background of pinks and light blue to create an immersive dimensional depth. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through t...

Arizona artist Gail Titus paints vibrant abstract compositions in acrylic on canvas with a focus on texture and color. The geometric planes of her artworks and the texture in her movements are boldly hatched in contours of energetic brushstrokes. She sends the viewer on a journey of discovery across the painted surface to continually re-discover the the depth of hue, composition, and dimension. This one-of-a-kind dynamic and textural painting is 48 inches square. It is wired and ready to hang. The sides of this expressive abstract artwork are painted as a continuation of the front. It does not require framing. It is signed and titled by the artist on the back. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. Provenance: Artspace Warehouse. A certificate of authenticity issued by the art gallery is included. After working as a ceramic artist for more than twenty years creating wall sculptures and commissioned installation work, Gail Titus has been focusing more extensively into pursuing her long time interest in abstract painting. Her detailed studies of abstract painting techniques lead Gail Titus to develop works on canvas using acrylic paint and a carefully chosen mix of unconventional tools and techniques. The primary focus has been on surface development and exploring textures. Her artworks have been acquired by corporations and private collectors throughout the United States, Canada and Australia. They have been featured on hit TV shows such as "The Catch" on ABC. Artspace Warehouse has been representing and exhibiting Gail Titus' original artworks since 2017. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse Los Angeles EXHIBITIONS 2022 The Unknown Nature of Being, Tubac Center of the Arts, Tubac, AZ 2021 Surfing Madonna Save the Ocean, Escondido Municipal Gallery, Escondido, CA Mission Valley Artwalk @ Little Italy, San Diego, CA Twenty Women Artists: NOW - Oceanside Museum of Art, Oceanside, CA 2020 20/20: Twenty Women of Vision, Fresh Paint Gallery, San Diego, CA 2019 OMA Artist Alliance: Creative License,- Sparks Gallery, San Diego, CA The First Artist’s Invitational, Swift Gallery, San Diego, CA Mission Federal Artwalk @ Little Italy, San Diego, CA Artwalk @ Liberty Station, San Diego, CA 2018 Informal Languages, Artspace Warehouse, Los Angeles Prom Dress: Seventeen on Being 17, Cannon Gallery, Carlsbad, CA 2017 Featured Artist Exhibition, SACCA, Tucson, AZ Pop Futurism and Abstraction, Artspace Warehouse, Los Angeles, CA 2010 Abstract Paintings, Ventana Canyon, Ventana medical Systems, Inc, Tucson, AZ 2007 hand + spirit + art, Tohono Chul, Tucson, AZ The Practice of Abstract Painting, The Drawing Studio, Tucson, AZ 2000 Crosscurrents, The Gallery at the Tucson International Airport, Tucson, AZ 1997 Art Spirit, Shemer Art Center, Phoenix, AZ Desert Reflections, Ironwood Gallery, Arizona-Sonoran Desert Museum, Tucson AZ 1996 Two person show, Tucson Jewish Community Center Fine Art Gallery, Tucson AZ From Earth to Art, Pink Adobe Gallery, Tucson, AZ 1995 Designer Showcase ’95, Tucson Museum of Art and ASID, Tucson, AZ 1993 Four Person Exhibit, After Image Gallery, Silver City, NM Alumni Show, WMNU McCray Gallery, Silver City, NM SACA Show, Desert Artisans Gallery, Tucson, AZ 1992 WNMU McCray Gallery, Silver City, NM All Fired Up, Impressions Gallery, Tucson, AZ 1991 Southern AZ Clay Artists, Impressions Gallery, Tucson, AZ 1988 Graduate Show, WNMU McCray Gallery, Silver City, NM AWARDS 2022 The Unknown Nature of Being, Best of Show Award 2010 Ventana Canyon Abstract Paintings, Honorable Mention 1997 Desert Reflections, Honorable Mention 1993 Southern AZ Clay Artists, Cash Award 1992 WNMU Miller Library Permanent Collection, Purchase Award COLLECTIONS USC Fisher Museum of Art permanent collection, Los Angeles, CA WNMU Miller Library permanent collection, Silver City, NM Law Office of Jojene Mills, Tucson, AZ Karp and Weiss, Tucson, AZ Farrell and Bromile, Tucson, AZ Crescent Real Estate, Fort Worth, TX Gavi Italian Restaurant Corporation, Tucson, AZ Myerscoff Restaurant Corporation, Inc., Charleston, IL Numerous Private Collections INSTALLATIONS 2006 Ceramic Installation, Ford Elementary School, TUSD,Tucson, AZ 2005 Ceramic Installation and Painted Mural, Gavi Italian Restaurant, Tucson AZ 2005 Ceramic Installation, Private Residence, Tucson AZ 2004 Ceramic Installation, Ochoa Elementary School, TUSD, Tucson, AZ MEDIA COVERAGE 2021 Interview, CBS Channel 8, San Diego PROFESSIONAL AFFILIATIONS Time for Women Artists, San Diego, CA American Women Artists, Chesterfield, MA EDUCATION 2018 Paulette Warner workshop, Tucson, AZ 2017-22 Pen and Ink, Athenaeum, La Jolla, CA 2008-11 Metalsmith Coursework, Pima Community College, Tucson AZ 2003-10 Drawing Studio, Abstract Painting, Tucson, AZ 1990-00 Graduate coursework in art, University of AZ and WNMU 1999 Paula Rice workshop, Tucson, AZ 1997 Frank Boydon workshop, Phoenix, AZ 1996 Akio Takamori, Phoenix, AZ 1996 Wayne Higby...

Small painting, big statement. In this visually engaging abstract painting, heavy textures entice the viewer to take a closer look. The neutral, grey palette with glimpses of black u...

In this small but visually engaging abstract painting, heavy textures entice the viewer to take a closer look. The neutral, grey palette with glimpses of black underpainting places e...