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Dennis BalkFaith Thumbnail H Large Mixed Media Conceptual Abstract Painting2006
2006
$3,000
£2,303.87
€2,640.21
CA$4,223.26
A$4,730.98
CHF 2,460.70
MX$57,708.23
NOK 31,327.97
SEK 29,540.05
DKK 19,705.79
About the Item
From his show Hashish at Michael Steinberg Gallery (bearing their label verso)
Reviewed by Roberta Smith in the New York Times.
Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East.
The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs.
Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work.
Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books).
SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande, Landmarks.
He has exhibited at MoMA PS1, INOVA, Michael Steinberg Gallery in NYC and was included in Jack Pierson show at Cheim Reid. Mass MoCA
Solo shows
Dennis Balk - Desert Camp - H Gallery, Bangkok
Dennis Balk: Early Works 1890-2090 - INOVA - Institute of Visual Arts, Milwaukee, WI
Group shows:
Radiation - Center of Academic Resources Central L, Bangkok
One Minute Film Festival - Massachusetts Museum of Contemporary Art - MASS MoCA, North Adams, MA
Possession - Bangkok Art and Culture Centre (BACC), Bangkok
Heaven - MoMA PS1, New York City, NY
Modes of address: language in art since 1960 - Whitney Museum of American Art, NYC
The Logic of Display - MoMA PS1, New York City, NY
Fake: A Meditation on Authenticity - New Museum of Contemporary Art, NY
CalArts - Skeptical Belief(s) - The Renaissance Society, Chicago, IL
- Creator:Dennis Balk (American)
- Creation Year:2006
- Dimensions:Height: 56 in (142.24 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear to surface.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212660502
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By Dennis Balk
Located in Surfside, FL
From his show Hashish at Michael Steinberg Gallery (bearing their label verso)
Reviewed by Roberta Smith in the New York Times.
Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East.
The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs.
Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work.
Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books).
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From his show Hashish at Michael Steinberg Gallery (bearing their label verso)
Reviewed by Roberta Smith in the New York Times.
Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East.
The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs.
Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work.
Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books).
SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...
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Richard Snyder is particularly known for his large-scale abstract expressionist paintings exhibiting vibrant colors, often applied in an irregular manner with large gestural brushstrokes. He also was an accomplished sculptor and was amongst the downtown New York art-furniture scene spawned in the 1980s by the Soho gallery ‘Art et Industrie’ founded by Rick Kaufmann. Downtown New York, circa 1977-1980 was a hothouse of creative impulses that flew in the face of restrictions and ran headlong toward riotous expression. Punk, hip-hop, graffiti or neo-expressionism,
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After receiving a BFA from the School of the Museum of Fine Arts in Boston, Snyder made his career in the fields of art and design, practicing sculpture, painting, furniture design and fabrication, interior design, cabinetmaking, construction and industrial design. Along with extensive experience in a wide variety of materials and processes, Snyder also possesses a wide range of visual and experiential vocabulary acquired in his many travels through the Americas, Africa, the Middle East and Central and Southeast Asia. Snyder considers his objects to be not just about form, function, color, material and process, but rather to be fantasies with spirit, magic and story. During his seventeen years with the Art et Industrie gallery, Snyder participated in five solo shows and more than twenty group shows, which established him as a major player in the American Art Furniture movement. His pieces have appeared in numerous publications and media around the world; and they are included in numerous private collections worldwide as well as in the permanent collection of The Art Institute of Chicago. Snyder guest-lectures at the Rhode Island School of Design in Providence, the New School in New York, and SUNY Purchase.
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Hand signed and dated verso,
Dimensions: 72" X 72"
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1956, BORN IN MADRID, SPAIN
1985, BACHELOR OF ARCHITECTURE, CALIFORNIA POLYTECHNIC STATE UNIVERSITY
1991, MASTERS OF FINE ARTS, CLAREMONT GRADUATE SCHOOL
LIVES AND WORKS IN NEW YORK CITY, USA AND TOSSA DE MAR, SPAIN
SOLO EXHIBITIONS:
GALERIA MIGUEL MARCOS, BARCELONA, SPAIN
GALERIE RICHARD, NYC, USA
HIONAS GALLERY, NYC, USA
FRONT GALLERY, HOUSTON, TEXAS, USA
TOMIO KOYAMA GALLERY (HIKARIE),TOKYO, JAPAN
MICHAEL KOHN GALLERY, LOS ANGELES, CA, USA
CIRRUS GALLERY, LOS ANGELES, CA, USA
GALERIA PELAIRES, PALMA DE MALLORCA, SPAIN
NICOLE KLAGSBRUN GALLERY, NEW YORK, NY, USA
GALERIA ANA SERRATOSA, VALENCIA, SPAIN
GALERIE ANDRÉ BUCHMANN, COLOGNE, GERMANY
GALERIE TANYA RUMPFF, HAARLEM, NETHERLANDS
GALERIE MARK MULLER, ZURICH SWITZERLAND
CHAC MOOL GALLERY, LOS ANGELES, CA, USA
BRETT/MITCHELL SHAHEEN GALLERY, CLEVELAND, OH
BARBARA FARBER/LA SERRE, TRETS FRANCE
THE BOX, TORINO, ITALY
STEENDRUKKERIJ AMSTERDAM, M.V., HOLLAND
BARBARA FARBER/ROB JURKA GALLERY, AMSTERDAM, HOLLAND
LAWING GALLERY, HOUSTON, TX, USA
SCHMIDT CONTEMPORARY ART, ST. LOUIS, MI
MEYERSON & NOWINSKI GALLERY, SEATTLE, WASHINGTON
BLUM POE GALLERY, SANTA MONICA, CA, USA
SCARABB GALLERY, CLEVELAND, OH
BENNETT ROBERTS FINE ART, LOS ANGELES, CA, USA
LEE ARTHUR STUDIO, NEW YORK, NY
STUDIO RAID GALLERY, LOS ANGELES, CA, USA
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“UNTITLED”, GALERIE RICHARD, NYC, PARIS
2019
“LITTORAL”, MUNICIPAL MUSEUM OF TOSSA DE MAR, TOSSA DE MAR, SPAIN
“DIVINE INTERVENTIONS”, CHRIST EPISCOPAL CHURCH IN SAG HARBOR, LONG ISLAND, USA
“ANGLES DE REFLEXIÓ”, GALERIE RICHARD VANDERAA, GIRONA, SPAIN
2018
“UNDER/ERASURE”, PIEROGI GALLERY, NYC, USA
“COLOR MATTERS”, GALERIE RICHARD, NYC,USA
“EVOLUTION”, GALERIA MIGUEL MARCOS, BARCELONA, SPAIN
“WORKS FROM THE GALLERY ARTISTS AND THE COLLECTION 3”, TOMIO KOYAMA GALLERY, TOKYO, JAPAN
2012
“NEXUS”, GALERIA MIGUEL MARCOS, BARCELONA, SPAIN
“FOR EXAMPLE PAINTING”, GALERIE MARK MÜLLER, ZÜRICH, SWITZERLAND
“FRÜHLING”, GALERIE EUGEN LENDL, GRAZ, SWITZERLAND
2011
GROUP SHOW, GALERIE MARK MÜLLER, ZÜRICH, SWITZERLAND
“ALUSIONES-ILUSIONES”, GALERIA MIGUEL MARCOS, BARCELONA, SPAIN
“THE WORKING TITLE”, BRONX ART CENTER, BRONX, NEW YORK, USA
“GREATER LA”, NEW YORK, NEW YORK, USA
2010
25TH ANNIVERSARY SHOW, MICHAEL KOHN GALLERY, LOS ANGELES, CALIFORNIA, USA
“CRYSTAL WORLD”, ANDRE BUCHMANN GALLERY, BERLIN, GERMANY
GROUP SHOW, TOMIO KOYAMA GALLERY, TOKYO, JAPAN
PINTURA SIN TREGUA GALERIE MIGUEL MARCOS, BARCELONA, SPAIN
GROUP SHOW, TANYA RUMPFF GALLERY, HAARLEM, NETHERLANDS
PALM PAINTINGS, ANDRÉ BUCHMANN GALLERY, BERLIN, GERMANY
2007
“QUIRKY”, WESTPORT ART CENTER, WESTPORT, CONNECTICUT
“ROOM 3: ACCROCHAGE”, GALERIE MARK MÜLLER, ZÜRICH, SWITZERLAND
“POP ART 1960’S TO 2000’S”, HIROSHIMA CITY MUSEUM OF CONTEMPORARY ART, HIROSHIMA, JAPAN
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