
Cubist Painting By Swedish Artist Dick Beer, From the City of Pau, 1920
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Dick BeerCubist Painting By Swedish Artist Dick Beer, From the City of Pau, 19201920
1920
About the Item
Born in London, Dick Beer relocated to Sweden in 1907. He studied art at Althins Målarskola and the Royal Swedish Academy of Fine Arts, before moving to Paris in 1912. His artistic journey was interrupted by World War I, during which he served as a volunteer on the French side. After recovering from injuries at Château de Rochefort—a location shared with the renowned Fernand Léger—Beer became deeply influenced by cubism. Beer’s works evolved over his career, oscillating between realism, expressionism, and cubism. While his cubist works faced harsh criticism early on, they later gained recognition as some of the finest examples of Swedish modernism. Today, Beer’s art is celebrated for its emotional depth and technical skill, with pieces held in major collections including the Nationalmuseum, Moderna Museet, and several regional museums in Sweden.
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Located in Stockholm, SE
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oil on canvas
73 x 60.5 cm
stamp signed
painted 1920
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Located in Stockholm, SE
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Located in Stockholm, SE
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70 x 50 cm
stamp signed
painted c. 1918-1919
Provenance:
Within the family Beer until today
Dick Beer (1893-1938)
Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside.
Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...
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Original Oil Study by Racksta Group Artist Gustaf Fjaestad. Title Study of Tufts
Located in Stockholm, SE
Gustaf Fjaestad (Fjæstad) (1868-1948) Sweden
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Oil Sketch From Rome Called Ruins of Ancient Rome, c. 1870-72
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Several of Arborelius’ Italian oil studies, including similar small-format plein air works, were later exhibited at various prestigious exhibitions. These include the Svenska konstnärernas förening memorial exhibition in 1910, the Svensk-Franska Konstgalleriet in Stockholm in 1931, and a memorial exhibition at the Nationalmuseum in 1943.
Viggo Loos praised Arborelius' Italian studies for their "sensitivity to color" and "intense exploration of light and atmosphere," highlighting these works as a high point in the artist's career. Loos emphasized how Arborelius skillfully captured the essence of the Mediterranean landscape, using vibrant tones and delicate brushwork to convey the interplay of light and air.
Moreover, Folke Holmér, the curator of Arborelius’ 1943 memorial exhibition, described his Italian sketches as some of the most painterly pieces of his early production, worthy of comparison with the best works Swedish artists had produced in Italy.
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