Duane Albert Armstrong

Blurring the lines and Cross Southwestern Motif in Glossy Finish Oil

2006

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

A wolf in sheep’s clothing. :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Sig...

Painting: Oil and Acrylic on Paper and Wood. Size: 48 H x 40 W x 2 in 2012. Laser print, acrylic, lacquer, charcoal and oil on wood panel. 48" x 40â€...

Artist Comments
Artist Leslie Ann Butler creates a striking sense of balance and contrast in this piece, combining geometric shapes with fluid paint splatters. The interplay be...

Abstract painting with bright colors and rich brush strokes on tones of orange, white, black and rust. - Title: Exceptionally bold - Medium: acrylic , mixed media - Support: stret...

A commanding and highly collectible large-scale abstract painting by Suzanne VandeBoom, this circa 2010 acrylic on canvas exemplifies the artist’s bo...

Artist Comments
Collage elements, paint drips, and poured paint form a dynamic abstract composition. A darker color palette adds depth and suspense. As part of an ongoing serie...

Artist Comments
"Weatherworn walls and fresco texture abound on the face of this painting," says Patricia. "Time passed by leaving bits of color to hold onto their space in t...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Artist Comments
Rectangular gold and copper leaf rest on top of a white band on a soft beige background. Spattered paint creates a sense of motion and spontaneity against the c...