Edgar Solorzano

Immanence IV , Contemporary Art, Abstract Painting, 21st Century

2020

No sé leer el presente, pero lo intento con el agua, 2024 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 120x80cm Signed and dated Yumnia's artistic journey is deepl...

El cauce de un río dentro del surco de una hoja, 2024 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 80x80cm Signed and dated Yumnia's artistic journey is deeply roo...

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...