Emma Fineman

Phantom III, 2022 - Emma Fineman (Work on paper)

2022

Abstract in Browns, 1997 - Work on Paper, British Abstraction - Sandra Blow Signed and dated Gouache on board 12 x 9 1/2 inches Sandra Blow RA (1925-2006) pioneered British abstract...

Yellow Within, 2006 - Work on Paper, British Abstraction - Sandra Blow Signed on reverse Acrylic and mixed media on canvas 24 x 24 inches Sandra Blow RA (1925-2006) pioneered Britis...

Green Projection, 1971 - Work on Paper, British Abstraction - Sandra Blow Signed and dated on canvas overlap on reverse Acrylic on canvas, with aluminium construction 54 x 48 inches ...

Clodgy - St Ives, Modern British Painting, Abstract Art - Sandra Blow (Abstract) Signed and inscribed with title and date on the canvas overlap Sandra Blow RA (1925-2006) pioneered ...

Touchstone 2 - Mixed Media, British Art, Abstraction - Sandra Blow (Abstract) Signed and inscribed with title and date on the canvas overlap Sandra Blow RA (1925-2006) pioneered Bri...

Untitled, Undated - Mixed Media, British Abstraction - Sandra Blow (Abstract) Sandra Blow RA (1925-2006) pioneered British abstraction in the twentieth and twenty-first centuries...

'Bay of Poets' 2024 Cotton canvas print from limited edition of 5. (Does not come with streatch bars, only canvas print) Monocolour mediterranean landscape photography. Made usin...

ink and watercolor on paper, 82" x96" This painting is from a new series of works by Jesse Lambert which ink and depict ad-hoc structures that are constructed out of scraps of woo...

Archival inks on paper marouflaged on canvas

72"x42" large scale painting in ink and watercolor on paper, signed on reverse by artist. Washes of violet, blue and green intermingle with cerulean blue abstract brushstrokes creat...

78” x 42” ink and watercolor on paper, signed on reverse by the artist, Jesse Lambert. The abstract ground of washes of green, blue, orange and rose tones over white create an active field of color. The imagery of hummingbirds and bird feeders amongst graphic representation of trees, leaves and branches are created with defined black inkwork lines. Pattern and repetition with the vertical tree trunks, are intersected with cross sections of lumber with beautiful wood grain. This large scale painting is featured in "Shelter, Scatter, Feed" a solo show of new works by Jesse Lambert. Front Room Gallery is proud to present a solo exhibition of new works on paper by Jesse Lambert, titled, "Shelter, Scatter, Feed". This is Jesse Lambert’s second solo show at Front Room Gallery. In this exhibition, Lambert continues to explore themes of shelter, safety, and the passing of time. His ink and watercolor paintings on paper depict abandoned scenes in an abstracted rural space. In previous works, Lambert combined the spaces of domesticity and the natural world, with an occasional appearance of the human figure. His new work contemplates the new reality under COVID-19, and continues to evoke the universal need for shelter and protection. In these paintings Lambert imagines the world abandoned by human inhabitants, reclaimed by nature- as if the world has moved on, without us. In this series, 
Lambert’s familiar color washes have taken on a more natural hue. Lambert presents a grouping of medium sized paintings which explore the theme of birdhouses as a metaphor for human needs. The birdhouses are falling apart or incomplete, dysfunctional structures failing to meet their stated function. In his larger paintings, remnants of built structures of unknown use are scattered across a forested setting. Strips or planks of wood are nailed to tree trunks. A broken ladder promises ascent, but falls apart. Fragments of wood and string hint at former use, yet all vestiges of functionality have disappeared. Abandoned bird feeders swing precariously. Within the chaos of darting birds, falling leaves and flowers, and remnants of built space, a pattern almost emerges. These paintings emote a feeling of webbed interconnectedness that reveals the beauty of decayed things, and an allure of the poignancy of impermanence. In a series of smaller black and white drawings...

Brushed taches of green, yellow, pink, turquoise and orange intersects with gestural grey lines to form a stable yet energetic composition in this 26 inch square ink and acrylic painting on rice paper. The overall intense movement within this work is in keeping with Lui's dramatic theme of pilgrimage -- a theme which is also reflected in the title "To Jerusalem III", the holy city...