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Emmanuelle Vroelant"Nostalgia" abstract acrylic on canvas 120x120cm 20202020
2020
$4,161.27
$5,201.5920% Off
£3,133.02
£3,916.2720% Off
€3,520
€4,40020% Off
CA$5,743.18
CA$7,178.9820% Off
A$6,433.63
A$8,042.0420% Off
CHF 3,346.29
CHF 4,182.8620% Off
MX$78,477.02
MX$98,096.2820% Off
NOK 42,602.69
NOK 53,253.3620% Off
SEK 40,171.30
SEK 50,214.1320% Off
DKK 26,797.76
DKK 33,497.2020% Off
About the Item
"Nostalgia" abstract acrylic marble powder parchment gluing on canvas 120x120cm send in wood crate at cost
evanescent memories, softened colours, the breath of passing time…
need to enter into a pastel color atmosphere, the need to change register between two paintings, as an alternation of breathing
curiously emmanuelle vroelant is not at all nostalgic, but it is an atmosphere and a refinement of colors that surrounded her godmother, the elderly ladies of her childhood
emmanuelle vroelant hopes this painting brings sweetness, refinement, tenderness and elegance
- Creator:Emmanuelle Vroelant (French)
- Creation Year:2020
- Dimensions:Height: 47.25 in (120 cm)Width: 47.25 in (120 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501214519472
Emmanuelle Vroelant
Born in 1952, Emmanuelle Vroelant has been living and working in Roscoff, Brittany since 2006. Despite a real attraction for artistic creation, her parents encouraged her to study. After graduating in psychology, she leaves to discover the world and it is far from the family weight that she gives life to her first child. She moved to Vanuatu where she met artist Juan Roderta and journalist Alphonso Colondro. These two men allow a real questioning of the artist who discovers the need to paint. On her return to Paris, she opened her first studio in 1981 and ended up exhibiting in 1985, 86, 88 and 89 at the Grand Palais Autumn Show, allowing her to start an international career.After two years of illness, Emmanuelle lost her inspiration and opened a psychoanalyst practice in Paris, where she practised art therapy. In 2006, she left her Parisian life to settle in Brittany, which allowed her to regain a creative energy. At the request of collector Michel Chamming’s, Emmanuelle successfully exhibited in Paris in 2009. During the inauguration of a New York gallery, she meets Jean-Claude Reumont who offers her to represent her for China. Today, Emmanuelle Vroelant’s works are present in the United States, China and France.
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