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Eric JohnsonEric Johnson, "Eye to Eye" Oil on canvas2022
2022
About the Item
Of his recent work, Eric Johnson states "What has long inspired me is the interplay between color and form. The exploration of chromatic relationships merged with form is endless. My painterly space adheres to the picture plane but has intimations of atmosphere and depth. Each work starts from a neutral beginning, developing a deeper particularity that evokes a resonance of place, feeling and memory.
Irregular polygons, slotted together imperfectly, are my building blocks, which result in slivers of white ground, suggesting movement and mutability. The surface is scraped, dragged, rubbed and layered, leaving the painting process visible.
The colors are compound layers of different pigments and hues. I combine the colors into arrangements and combinations, akin to musical chords. My process begins analytically and ends intuitively as color and its effects are not reducible to logic.
Abstraction is like an open-ended question that can never be answered definitively. I honor these possibilities and invite the viewer to complete the work with their response."
- Creator:Eric Johnson (1949, American)
- Creation Year:2022
- Dimensions:Height: 40 in (101.6 cm)Width: 30 in (76.2 cm)
- More Editions & Sizes:40 x 30 inPrice: $6,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: joh0201stDibs: LU7115130282
Eric Johnson
Inspired by both art and science, Eric Johnson creates composite works of pigment, wood and resin that reference a kinship with other artists: to the sensuality of Brancusi, the architectural vigor of Bontecou and the works of DeLap. These handcrafted abstract works are often sheathed in resin skins, often revealing glimpses of skeletal armatures and hidden architectures.
In reflection, Johnson’s structural forms are influenced by a severe neck injury and dealing with intense spinal pain. Other influences have been the aerospace industry and ancestral boat builder heritage. Initially the constructs were a time capsule of the artifacts within, hiding their “bones” under a “skin.” Over time, the structures have become organic and revealing to their formation. The current work merges the passion for depth and structure with an obsession for color and surface.
Johnson has spent decades working with polyester resin. Like many artists of his generation, Johnson embraced the hot-rod culture of Southern California. As often was the case for many artists working in the 1970s, industrial products found their way into Johnson’s early studio practice and have remained there ever since. “I’ve translated all that automotive knowledge into making my artwork,” he says. “I use the full array of auto tools and pigments.”
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(Biography provided by William Turner Gallery)
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