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Esteban VicenteUntitled, #36 (abstract expressionist painting)1955
1955
About the Item
Esteban Vicente (1903-2001). Untitled, #36, 1955. Gouache on paper, image measures 8 x 11 inches, 16.5 x 19.5 inches framed. Signed, dated and numbered on verso. Excellent condition.
Birth place: Turegeno, Spain
Addresses: Bridgehampton, NY
Profession: Painter
Studied: Acad. Belles Artes, Madrid, Spain.
Exhibited: Eighth St. Art Show, 1949; Carnegie Int., CI, Pittsburgh, PA; WMAA Ann.; André Emmerich, NYC, 1970s. Awards: purchase awards, 1960 & 1961 & Tamarind fellowship, 1962, Ford Foundation; Childe Hassa purchase award, Am. Acad. Arts & Letters, 1971.
Work: WMAA; AIC; Honolulu Acad Arts, Hawaii; MoMA; Nat.Collection Fine Arts, Smithsonian Inst., Washington, DC.
Comments: Preferred media: oils, collage. Teaching: art instructor, Black Mountain College, 1948; art instructor, Univ. Calif., Berkeley, 1954 & 1958; art instructor, New York Univ., 1959-69; art instructor, Yale Univ., 1960-61; art instructor, Univ. Calif., Los Angeles, 1962; artist-in-residence, Des Moines AC, 1965; artist-in-residence, Princeton Univ., 1965-66 & 1969-72; artist-in-residence, Honolulu Acad. Fine Arts, 1969.
- Creator:Esteban Vicente (1903-2001, Spanish)
- Creation Year:1955
- Dimensions:Height: 11 in (27.94 cm)Width: 8 in (20.32 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wilton Manors, FL
- Reference Number:1stDibs: LU24526755622
Esteban Vicente
Esteban Vicente, Abstract Expressionist and Color Field painter, was an integral part of the inner circle of artists who comprised the electrifying Post War art scene in New York City. Sharing a studio with Willem de Kooning, Vicente could number his friendships with such trailblazing artists as Franz Kline, Jackson Pollock, Mark Rothko and Barnett Newman. A voting member of The Club, Vicente exhibited in 1950 at the Kootz Gallery in New York in their historic exhibition, Talent 1950 and the following year at the then radical avant-garde Ninth Street Art Exhibition as well as at such influential galleries as Leo Castelli, Andre Emmerich, Charles Egan Gallery, and Sidney Janis. Vicente’s works over the long expanse of his exhibition career followed several differing painting trends and cycles. As he continued to paint through his 80’s and 90’s, his imagery moved from strong dramatic gestural works to canvases that became looser, more fluid, and almost ethereal.
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