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Eun Vivian Lee
Freedom or Patience, abstract geometric pattern, mixed media on paper

2019

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  • Green Bricks, abstract geometric painting, grid
    Located in New York, NY
    Gouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
    Category

    2010s Abstract Geometric Abstract Paintings

    Materials

    Paper, Gouache, Handmade Paper, Graphite

  • Finding a Way...Like Water, abstract geometric painting, dots
    Located in New York, NY
    Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
    Category

    2010s Abstract Geometric Abstract Paintings

    Materials

    Paper, Gouache, Handmade Paper, Graphite

  • Mixed Squares, abstract geometric painting, grid
    Located in New York, NY
    Gouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
    Category

    2010s Abstract Geometric Abstract Paintings

    Materials

    Paper, Gouache, Handmade Paper, Graphite

  • Disintegrating (with a Measure of Grace), abstract geometric painting, dots
    Located in New York, NY
    Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
    Category

    2010s Abstract Geometric Abstract Paintings

    Materials

    Paper, Gouache, Handmade Paper, Graphite

  • Sand
    By Carole Eisner
    Located in New York, NY
    Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...
    Category

    1980s Abstract Geometric Abstract Paintings

    Materials

    Paper, Acrylic

  • Pueblo V
    By Carole Eisner
    Located in New York, NY
    Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, ...
    Category

    1980s Abstract Geometric Abstract Paintings

    Materials

    Paper, Acrylic

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  • Code U63
    By Oksana Tanasiv
    Located in Norwalk, CT
    Code U63 is Mixed Media on Panel, acrylic, collage, spray paint, epoxy resin. Size 48″X32″ Date of creation March 2023 Signed, dated on the reverse. The piece is combination of multiple techniques, multiple layers of acrylic paint, geometric abstract, collage, epoxy on the board. First, artists created an abstract background palette in pink, gold, dust pink, violet. After that, artist created larger scale geometric design - diamonds, lines, patterns. Then - another layer of the smaller scale geometric pattern, and finally - very detailed patterns, designs, geometric combinations. The unique antique art patterns transformed by artist into modern geometric abstract patterns. It can be perfect art for bohemian interior, modern, casual and rustic decor. Art belongs to series Code U (Ukraine). It is series of abstract compositions featuring Ukrainian geometric patterns . Symbols, signs, systems and antique patterns used in fashion embroidery for hundreds years by ancestors of Ukrainians. According to ethnography’ research the embroidery symbols hold special vibrations, strength, and energy. Art pieces from Code U series by Oksana Tanasiv belong to private collections worldwide , and to the following museum collections: -The Museum of Imrich Winter, Bath Piestany, EU -The Ukrainian Art...
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    2010s Abstract Geometric Abstract Paintings

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  • Pastel Geometric Landscape in Vivid Tones, Yellow and Purple Impressionist Field
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  • Intersecting Magic Square
    By Charmion von Wiegand
    Located in New York, NY
    Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself. Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame Measurements: Frame: 21 x 17 x 1.5 inches Artwork: 18 x 14.25 inches The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...
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