Fabien Hemard

Quantique 1 - Superposition

2019

Abstraction - 2020 - oil painting / canvas frame - 40 X 60

HypNos-02 H - Alain Carpentier Vertical Format - 40 Figure (100cm x 100cm) Pencil and Acrylic paint on canvas 3800 euros Alain Carpentier is an arti...

Jérémie Iordanoff n°599 Oil on canvas 46 x 61 cms Price: 600 euros

Jérémie Iordanoff Titre : N° 651 Dimensions : 60 x 80 cm Technique : Huile sur toile Année : 2018 Prix : 1500 euros

Artist: Irwin McFadden, American Title: Variants Year: 1972 Medium: Acrylic on Canvas, signed and dated verso Size: 19.5 in. x 19.5 in. (49.53 cm x 49.53 cm) Frame Size: 25 x 25 inches

Abstract. Vibrant. Painting. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations with scholars in various fields of music, architecture and engineering, my life experiences and travels." Thomas Paul Raggio...

Martha Lloyd (American, 1927-2018) Thaw, 1997 Oil and wax (encaustic) on canvas 20 x 20 in. Framed: 21 1/4 x 21 1/4 x 1 3/4 in. Inscribed verso Provenance: Carrie Haddad Gallery, Hudson, NY Martha Anne Lloyd...

Abstract. Vibrant. Painting. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations with scholars in various fields of music, architecture and engineering, my life experiences and travels." Thomas Paul Raggio...