Fabio Coruzzi

This is Beverly Boulevard

2015

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves thought-provoking narratives, delving into the social and cultural fabric by juxtaposing human subjects and surreal backgrounds. Imbued with layers of headlines, articles, and ads, his street art becomes a powerful platform for addressing pressing societal issues, from materialism and loneliness to environmental shifts and isolation. Lebsack’s artworks tell us stories about ourselves. They can filter our dreams and aspirations while visualizing edgy, half-buried perceptions troubling us about the world around us. Many of his paintings express courage and offer a form of engagement with our continually shifting surroundings. Lebsack created this original 12-inch high and 9-inch wide artwork using mixed media including acrylic paint, ink, and charcoal on sheet music. His imagery is hand drawn with great detail. This artwork is unframed and requires framing to be properly displayed. It is signed by the artist on the front. Convenient delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. A certificate of authenticity issued by the art gallery is included. In Lebsack's own words, “It’s about new ways of thinking for future generations. Hopefulness in young dreamers and a paradigm shift away from conventional reasoning in thoughts and actions. Some social norms can be good but they can also hold some people back, stunting our growth individually and as a society.” Robert Lebsack received his formal training in illustration, design, and photography at California State University, Long Beach, where he earned a BFA degree in Illustration in 2004. After graduating, Robert went on to work full-time as a studio Artist/Muralist and Commercial Illustrator for an Interior Design Company where he designed graphics and painted murals for restaurants, schools, and universities throughout the country. With his industry experience, Robert moved on to focus on creating fine art. Lebsack's artworks have been showcased in exhibitions across the globe, including New York, Singapore, Zurich, Los Angeles, and Hong Kong, and have garnered praise and captivated major international art collectors, alongside a host of local Los Angeles celebrities. REPRESENTATION: Artspace Warehouse, Los Angeles, CA Kunstwarenhaus, Zurich, Switzerland EXHIBITIONS: 2023 Artspace Warehouse, Los Angeles, CA 2022 Affordable Art Fair, New York, NY 2021 Artspace Warehouse, Los Angeles, CA 2020 LA Art Show, CA 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles, CA 2018 Affordable Art Fair Hong Kong 2018 Affordable Art Fair New York, NY 2018 Artspace Warehouse Los Angeles, CA 2017 Kunstwarenhaus Zurich, Switzerland 2017 Affordable Art Fair Hong Kong 2017 Affordable Art Fair New York, NY 2017 Artspace Warehouse Los Angeles, CA 2016 Affordable Art Fair Hong Kong 2015 Affordable Art Fair New York, NY 2015 Affordable Art Fair Singapore 2015 Love Art Fair Toronto, Canada 2015 Affordable Art Fair New York, NY 2014 Red Dot Art Fair, Miami, FL 2013 Artspace Warehouse, Los Angeles, CA 2011 Canceptual, Crewest Gallery, Downtown LA 2011 Dreams on Canvas, Circle of Care, Westlake Village, CA 2011 Love/Hate, Picture This Gallery, Long Beach, CA 2010 Out from Underground, Edgeware Gallery, San Diego, CA 2010 Dreams on Canvas, Circle of Care, Westlake Village, CA 2010 Frida Kahlo Exhibit, Picture This Gallery, Long Beach, CA 2010 Up: Rising Artists, Subspace Art, Culver City, CA 2010 Charity Art Show, Picture This Gallery, Long Beach, CA 2010 Emerging L.A. Artists, Daydream Republic, Los Angeles, CA 2009 AIDS Benefit Art Auction, Sipology Gallery, Long Beach, CA 2009 Gallery 016 Group Exhibit, Brewery Arts Colony, Los Angeles 2008 New Poison, White Peacock Gallery, Los Angeles, CA 2008 Artist Showcase, Evocal, Costa Mesa, CA 2008 Works on Paper, Long Beach Arts...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

This is a large diptych on paper, 68 x 101 inches, created in 2020. What is unique to this one is the wider horizontal width. I think of my large diptychs as simultaneously a figure...

WINDOW V captures the soft patterned shadow of the trees veiled by a sheer curtain. This painting is is part of an on-going series that explores the light and landscape in Tennessee....

"A Small City Park", acrylic and watercolor on paper by Denver artist Edward Marecak (1919-1993) of an abstract park broken into four quadrants, separated by brown and white striped borders with different shaped ponds. Inspired by City Park in Denver, Colorado where the artist frequented. Presented framed with all archival materials, outer dimensions measure 21 ¾ x 18 ¾ inches. Image size measures 12 x 15 inches. Painting is clean and in good condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

Matheus is greatly influenced by the city he now calls home -- New York has long been the epicenter of fashion, hip hop, and street art, where he feels his interest in contemporary a...

Cubist Portrait by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on artist paper, unframed size: 10.5 x 7.75 inches condition: very good and ready to...

Cubist Portrait by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on artist paper, unframed size: 17 x 7 inches condition: very good and ready to be e...