Ferdinand Springer

Oil on Hardboard, Floral Composition by Ferdinand Springer

1950's

Acrylic ink on board, 2021. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Height: 17.32 in ( 44 cm ), Width: 17.32 in ( 44 cm ), ...

Acrylic ink on board, 2021. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Height: 17.32 in ( 44 cm ), Width: 17.32 in ( 44 cm ), ...

Acrylic ink on board, 2017. Signed and dated verso. Framed. The artwork comes directly from the artist's studio. Measurements: 20.98 x 40.55 x 2.01 in ( 53,3 x 103 x 5,1 cm ) Udo Ha...

Acrylic color and pigments on board, 2014-2017. Signed, dated and titled on the back. Framed. It comes directly from the studio of the artist. Dimensions: 37.99 x 30.12 x 1.97 in ( 9...

Acrylic paint on board, 2015. Framed. It comes directly from the studio of the artist. Height 31.5 in ( 80 cm ), Width 23.62 in ( 60 cm ) Udo Haderl...

Acrylic paint on board, 2018. Signed, dated and titled verso. Framed. It comes directly from the studio of the artist. Height: 24.41 in ( 62 cm ), Width: 16.54 in ( 42 cm ), Depth: 1...

Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...

Abstract Figurative Composition in Oil on Board Boldly colored abstract composition by an unknown Bay area California artist (20th Century)...

Oasis was painted by Troy Smith in acrylic paint on particle board. The particle board was reused from Troy's old studio shop table. It was cut up and r...

This pink piece is by Korean artist, Jaena Kwon. Her dimensional relief work is concerned with painting components and how painting space is constructed. She treats painting as an im...

This purple/lavender piece is by Korean artist, Jaena Kwon. Her dimensional relief work is concerned with painting components and how painting space is constructed. She treats painti...

This gray relief work is by Korean artist, Jaena Kwon. Kwon's work is concerned with painting components and how painting space is constructed. She treats painting as an image objec...