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Ford CrullBlue Storm2023
2023
$17,600
$22,00020% Off
£13,367.63
£16,709.5420% Off
€15,444.03
€19,305.0420% Off
CA$24,667.04
CA$30,833.7920% Off
A$27,607.05
A$34,508.8220% Off
CHF 14,408.76
CHF 18,010.9520% Off
MX$336,663.73
MX$420,829.6620% Off
NOK 184,412.51
NOK 230,515.6420% Off
SEK 174,570.06
SEK 218,212.5720% Off
DKK 115,256.78
DKK 144,070.9720% Off
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About the Item
“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the picture plane. The ambiguity of the image is central to my expression of life in art.”
— Ford Crull
- Creator:Ford Crull (1954, American)
- Creation Year:2023
- Dimensions:Height: 60 in (152.4 cm)Width: 48 in (121.92 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU1664213255092
Ford Crull
“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the picture plane. The ambiguity of the image is central to my expression of life in art.” — Ford Crull
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“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself. Ultimately every work really just decides itself. I love to paint. I love the smell of paint (oil) and the way it does different things depending on how you apply it. I love how if you use a lot of turpentine, it forms these rivulets like streams in the desert. Acrylics just can’t match the intensity or viscosity of oils. In early days, I painted landscapes and portraits, but I tried to infuse them with my own nomenclature. The colors, brushstrokes, and marks that I put on a canvas transfigure into a profound sensibility that I cannot deal with in any other way. And color is a way of expressing my emotions, and the way it is planted in my works helps tell the story.
When I was a boy I drew incessantly. I had sheets of paper roughly 10 by 15 inches, and I covered them with Civil War soldiers. Literally hundreds of them, each drawn with the same delicacy as if they were alive. Later I advanced to WW2, with German soldiers attacking the well-meaning but hapless British, grey against ochre, tanks and explosions, and beautiful landscapes where it happened.
As I became older, I wondered what it was that had so intrigued me with these war scenarios. I became fascinated with the symbols, icons and pictograms that were behind these historic conflicts. They had a substance and meaning for me that far outweighed their prescribed meaning. A cross meant Christianity, but in the films of Sergei Eisenstein, there was a distinction between the Teutonic knights with their iron helmets invading the Russian orthodox warriors to the east. A cross could mean many things, we bow down before a cross, but are repulsed by a swastika. Yet they are related. If you cut the corners of a circle with a cross bisecting it, an early Christian icon...
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As If You Care
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“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...
Category
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