Items Similar to "Red Cross/Flower"- Colorful & Vibrant Neo-Expressionist Painting

Ford Crull - "Red Sonata"- Vibrant Red Neo Expressionist Mixed Media Painting

Malgosia Kiernozycka - So Sorry Abstract With Red Flower

Ford Crull - "Chastellet 2"- Colorful, Neo-Expressionist Fine Art Painting

Nestor Toro - Coming from the Red, Painting, Acrylic on Canvas

Nestor Toro - consequences of red, Painting, Acrylic on Canvas

Ford Crull - "My Secret"- Colorful Neo-Expressionist Painting

Want more images or videos?

Request additional images or videos from the seller

1 of 7

Ford Crull
"Red Cross/Flower"- Colorful & Vibrant Neo-Expressionist Painting

Name: "Red Cross/Flower"- Colorful & Vibrant Neo-Expressionist Painting
Brand: Ford Crull
Price: 28108.94 AUD
Availability: InStock

$18,000

£13,390.54

€15,699.36

CA$25,175.29

A$28,108.94

CHF 14,748.46

MX$346,914.04

NOK 185,390.06

SEK 173,465.28

DKK 117,119.89

Shipping

Retrieving quote...

The 1stDibs Promise:

Authenticity Guarantee,

Money-Back Guarantee,

24-Hour Cancellation

About the Item

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself. Ultimately every work really just decides itself. I love to paint. I love the smell of paint (oil) and the way it does different things depending on how you apply it. I love how if you use a lot of turpentine, it forms these rivulets like streams in the desert. Acrylics just can’t match the intensity or viscosity of oils. In early days, I painted landscapes and portraits, but I tried to infuse them with my own nomenclature. The colors, brushstrokes, and marks that I put on a canvas transfigure into a profound sensibility that I cannot deal with in any other way. And color is a way of expressing my emotions, and the way it is planted in my works helps tell the story. When I was a boy I drew incessantly. I had sheets of paper roughly 10 by 15 inches, and I covered them with Civil War soldiers. Literally hundreds of them, each drawn with the same delicacy as if they were alive. Later I advanced to WW2, with German soldiers attacking the well-meaning but hapless British, grey against ochre, tanks and explosions, and beautiful landscapes where it happened. As I became older, I wondered what it was that had so intrigued me with these war scenarios. I became fascinated with the symbols, icons and pictograms that were behind these historic conflicts. They had a substance and meaning for me that far outweighed their prescribed meaning. A cross meant Christianity, but in the films of Sergei Eisenstein, there was a distinction between the Teutonic knights with their iron helmets invading the Russian orthodox warriors to the east. A cross could mean many things, we bow down before a cross, but are repulsed by a swastika. Yet they are related. If you cut the corners of a circle with a cross bisecting it, an early Christian icon, it becomes a Sulfot cross, and then a swastika. In the hands of the Nazis, a symbol of profound evil. Symbols have an intrinsic power; a drama and mystery that fascinates me. I became bewitched with how symbols invade and influence what we believe and think about who we are. This sensibility became the fodder for my painting. What makes painting so interesting to me is that there are multiple realities, multiple interpretations possible. What gives the painting a life of its own is that everyone is seeing something different based on their own experience, that way, to the viewer, the painting has a continued life. Some paintings will just resonate with you, when the symbols and pictograms, and icons have this rich elegance, the piece works. It means that the symbols and icons we are subject to daily, vastly influence our lives in a way we are totally unconscious of. And that is what has importance for me. It determines and manifests in our lives and in my work an unconsciousness that I am not cognizant of in my normal day-to-day existence. This is where my art stems from. It is subtle but real, and infects me like a disease. I try to find why and how these symbols and icons have such a powerful and meaningful reality in my life. How do we see ourselves in any kind of personal integrity, how do we form a sense of Self and Identity without constantly feeling that it is being ebbed out into the vast…? Painting, for me, is a way of developing one’s own iconography, a personal metaphorical shield. That is why I paint.” Ford Crull

Creator:
Ford Crull (1954, American)
Dimensions:
Height: 60 in (152.4 cm)Width: 48 in (121.92 cm)Depth: 1.5 in (3.81 cm)
Medium:
Canvas,Wax Crayon,Oil
Movement & Style:
Neo-Expressionist
Period:
2010-
Framing:
Framing Options Available
Condition:
Gallery Location:
Brooklyn, NY
Reference Number:
1stDibs: LU1664215215122

Enamel

Ford Crull
Midsummer Night Ruby 2, 2010

$17,600 Sale Price

20% Off

"Izapa 2", Colorful Neo-Expressionist Oil Painting

By Ford Crull

Located in Brooklyn, NY

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself....

Category

1990s Neo-Expressionist Abstract Paintings

Materials

Canvas, Oil

Ford Crull
"Izapa 2", Colorful Neo-Expressionist Oil Painting, 1999

$24,000

"Euridice"- Colorful, Neo-Expressionist Fine Art Painting

By Ford Crull

Located in Brooklyn, NY

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

Category

2010s Neo-Expressionist Abstract Paintings

Materials

Canvas, Oil Crayon, Oil

Gestural - expressive - abstract. Flower power. Let flowers, let nature, let the color, let the joy of life speak. The sides of the artwork are also painted. The painting can be ...

Category