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Francie HesterConfluence 22 C (sculptural, texture, painting, abstract, patterns, geometric)2023
2023
$8,100
£6,150.52
€7,033.58
CA$11,316.87
A$12,586.83
CHF 6,572.45
MX$153,168.39
NOK 83,940.27
SEK 78,721.16
DKK 52,494.31
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About the Item
Confluence 22 C (2022)
Acrylic, aluminum leaf, and wax on aluminum panel
50 x 42 inches
Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation.
The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces.
Sculpture / Painting / Texture / Sanding / Dripping / Geometric / Linear / Stripes / Circles / Shape / Round / Patterned / Silver / Aluminum / Red / Orange / Green / Blue / Black / Metal / Abstract
About the Artist:
Francie Hester works principally on sculpted aluminum, steel and plexiglass, in a process-based practice that builds pixelated and vibrant pigments in deep layers with patterns of drips, grids and fragmented shapes that are then deconstructed through sanding, scraping, drilling and cutting to reveal the finished, textured surfaces.
Her work has been exhibited internationally in Jordan, Ulaanbaatar, Ireland, and Costa Rica, and in solo exhibitions with Susan Eley Fine Art in New York City and Hudson, NY, Anton Gallery, Washington, DC, Green Chalk Contemporary, and the Hawthorne Mansion, Monterey, CA. Her commissioned works include sculptures for Memorial Sloan Kettering in New York City, a sculpted aluminum painting for the U.S. headquarters of Airbus, and paintings on 18-foot aluminum surfaces for an atrium in the Chicago Kent College of Law. Her work is represented in numerous private and corporate collections including the World Bank, Capital One, Covington & Burling and the International Monetary Fund. She has received honorary grants from the District of Columbia, from the Arts Council of Montgomery County, MD and from the Maryland State Arts Council.
She received her MFA in painting from the University of Maryland, College Park, and a BFA in painting from the University of Michigan. Hester has studios in Kensington, MD and Boulder, CO and is represented by Susan Eley Fine Art in New York City and Hudson, NY.
Francie Hester
The art of Francie Hester evokes the feeling of a secret or memory being uncovered. Her contemporary abstract pieces may seem chaotic at first, but patterns begin to emerge upon closer inspection. Using mathematical and geometric principles, Hester creates paintings, drawings and sculptures that strive to bring order to chaos and draw out the unknowable.
Born in 1959, Hester focused on art from an early age. She earned a BFA from the University of Michigan in 1982 and an MFA from the University of Maryland in 1994. She held her first solo exhibition at Anton Gallery in Monterey, California, in 2006 and has since exhibited across the country and around the world.
Hester also creates large-scale public commissions. One of her most well-known site-specific works is Wordfall, a 2016 installation for the lobby of the Sloan Kettering Cancer Center in New York City. The stunning piece, which drapes down from the high ceiling, is made from over 80,000 paperclips wrapped in the words of poetry from Brendan Ogg, a young cancer victim.
Hester is the recipient of several honorary grants, including from the D.C. Commission on the Arts and Humanities, the Arts Council of Montgomery County and the Maryland State Arts Counsel. Her paintings and sculptures are held in many private and corporate collections, including those of the International Monetary Fund, the World Bank, Capital One and Ernst & Young.
Hester lives and works in Boulder, Colorado, and Silver Springs, Maryland, and is represented by Susan Eley Fine Art in New York. In 2022, she was one of the featured artists at an exhibition presented by the Carl Cherry Center for the Arts in California called "The Most Beautiful Mistake You Can Make." A perfect fit for Hester's work, the show explored how random errors can stimulate artistic creativity.
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By Francie Hester
Located in New York, NY
Confluence 22 D (2022)
Acrylic, aluminum leaf, and wax on aluminum panel
50 x 42 inches
Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...
Category
2010s Abstract Abstract Paintings
Materials
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Confluence 23 A (sculptural, texture, painting, abstract, patterns, geometric)
By Francie Hester
Located in New York, NY
Confluence 23 B (2023)
Acrylic, aluminum leaf, and wax on aluminum panel
50 x 42 inches
Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...
Category
2010s Abstract Abstract Paintings
Materials
Wax, Acrylic, Panel
Confluence 23 B (sculptural, layered, painting, abstract, patterns, geometric)
By Francie Hester
Located in New York, NY
Confluence 23 B (2023)
Acrylic, aluminum leaf, and wax on aluminum panel
50 x 42 inches
Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...
Category
2010s Abstract Abstract Paintings
Materials
Wax, Acrylic, Panel
Portal 23 #3 (sculptural, layered, painting, abstract, patterns, organic)
By Francie Hester
Located in New York, NY
Portal 23 #3 (2023)
Acrylic, wax, and aluminum leaf on paper
8" x 8" unframed
15" x 15" framed
Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation.
The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces.
Painting / Work on paper / Texture / Silver / Blue /
About the Artist:
Francie Hester works principally on sculpted aluminum, steel and plexiglass, in a process-based practice that builds pixelated and vibrant pigments in deep layers with patterns of drips, grids and fragmented shapes that are then deconstructed through sanding, scraping, drilling and cutting to reveal the finished, textured surfaces.
Her work has been exhibited internationally in Jordan, Ulaanbaatar, Ireland, and Costa Rica, and in solo exhibitions with Susan Eley...
Category
2010s Abstract Abstract Paintings
Materials
Acrylic, Panel
Axis 21 (sculptural, texture, painting, abstract, patterns, geometric)
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In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...
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Category
2010s Contemporary Abstract Paintings
Materials
Metal
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