Portal 23 #1
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Francie HesterPortal 23 #12023
2023
About the Item
- Creator:Francie Hester (American)
- Creation Year:2023
- Dimensions:Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU16812232232
Francie Hester
The art of Francie Hester evokes the feeling of a secret or memory being uncovered. Her contemporary abstract pieces may seem chaotic at first, but patterns begin to emerge upon closer inspection. Using mathematical and geometric principles, Hester creates paintings, drawings and sculptures that strive to bring order to chaos and draw out the unknowable.
Born in 1959, Hester focused on art from an early age. She earned a BFA from the University of Michigan in 1982 and an MFA from the University of Maryland in 1994. She held her first solo exhibition at Anton Gallery in Monterey, California, in 2006 and has since exhibited across the country and around the world.
Hester also creates large-scale public commissions. One of her most well-known site-specific works is Wordfall, a 2016 installation for the lobby of the Sloan Kettering Cancer Center in New York City. The stunning piece, which drapes down from the high ceiling, is made from over 80,000 paperclips wrapped in the words of poetry from Brendan Ogg, a young cancer victim.
Hester is the recipient of several honorary grants, including from the D.C. Commission on the Arts and Humanities, the Arts Council of Montgomery County and the Maryland State Arts Counsel. Her paintings and sculptures are held in many private and corporate collections, including those of the International Monetary Fund, the World Bank, Capital One and Ernst & Young.
Hester lives and works in Boulder, Colorado, and Silver Springs, Maryland, and is represented by Susan Eley Fine Art in New York. In 2022, she was one of the featured artists at an exhibition presented by the Carl Cherry Center for the Arts in California called "The Most Beautiful Mistake You Can Make." A perfect fit for Hester's work, the show explored how random errors can stimulate artistic creativity.
On 1stDibs, find Francie Hester paintings, drawings, sculptures and more.
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By Francie Hester
Located in New York, NY
Portal 23 #3 (2023)
Acrylic, wax, and aluminum leaf on paper
8" x 8" unframed
15" x 15" framed
Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation.
The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces.
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By Francie Hester
Located in New York, NY
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Acrylic, wax, and aluminum leaf on paper.
8" x 8" unframed
15" x 15" framed
Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation.
The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces.
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