Items Similar to Francisco Bores, Sur la plage
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Francisco BoresFrancisco Bores, Sur la plage1929
1929
About the Item
FRANCISCO BORES
Spanish, 1898 - 1972
SUR LA PLAGE
signed and dated "Borès / 29" (middle centre)
oil on canvas
21-1/3 x 25-1/2 inches (54 x 65 cm.)
framed: 26-1/5 x 30-1/2 inches (66.5 x 77.5 cm.)
NOTE:
THIS WORK IS ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY ISSUED BY “ARCHIVO FRANCISCO BORES”.
PROVENANCE
Private Collection, Madrid
Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris.
His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism.
At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts.
In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris.
In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York.
In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art at the Jeu de Paume Museum in Paris, he also illustrates books and art magazines such as Minotauro.
Contracts with the Zwemmer Galleries in London and Galerie Simon in Paris. Exhibitions in the United States, at the Buchholz Gallery in New York. He spent the Second World War in Saint Jean de Luz where he resumed his friendship with Matisse.
In 1947 the French State acquired, for the first time, a work by Bores, in 1949 it was the Museum of Modern Art in New York that acquired his paintings. Its exhibition activity is resumed throughout Europe: France, Germany, Denmark, Italy. His inclusion in the painters of the Louis Carré Gallery, one of the most prestigious in Paris, and therefore in the world, in those years (1954) stands out.
He continues, sporadically, to illustrate books (five linocuts "The Cry for the Death of Ignacio Sánchez Mejias" by Federico García Lorca, lithographs to illustrate the complete works of Albert Camus published by the French Imprimerie nationale in 1962). In 1969, he exhibited at the Theo Gallery in Madrid what his approach to the Spanish public represented, which was practically unaware of his work except in professional circles where, on the other hand, it was highly appreciated. In 1971 he exhibited again in this same Theo Gallery, passing away in Paris in 1972.
In Bores's work, the critic Joaquín de la Puente points out several periods:
Renewed classicism (1923-1925)
Neo cubism (1925-1929)
Painting-Fruit (1929-1933)
Interior scenes (1934-1949)
Style in white (1949-1969)
Exhibitions
Athenaeum of Madrid, 1922
Galerie Georges Bernheim, Paris 1931
Galerie Vavin-Raspail, Paris, 1933
Zwemmer Gallery, London 1935
Buchholz Gallery, New York 1939
Galerie de France, Paris 1949
Galerie Louis Carré, Paris 1954
Svensk-Franska konstgalleriet, Stockholm 1954
Galerie Louis Carré, Paris 1956
Albert Loeb gallery, New York 1960
Galerie Louis Carré, Paris 1962
Galerie Villand et Galanis, Paris 1966
Theo Gallery, Madrid, November 1971
Museums
Musée de Grenoble, France
Musée d'Art moderne de la Ville de Paris
Musée national d'Art moderne - Center Georges Pompidou, Paris
Reina Sofía National Art Center Museum, Madrid - Bores Donation
Museum of Fine Arts, Bilbao - Spain
Kunsthaus Zürich - Switzerland
Wadsworth Atheneum, Hartford, Connecticut - USA
Santander Central Hispano Foundation, Madrid - Spain
Scottish National Gallery of Modern Art, Edinburgh - Scotland
Institut Valenciá d'Art Modern, Generalitat Valenciana - Spain
Moderna Museet, Stockholm - Sweden
The Museum of Modern Art, MoMA, New York
Art and Technology Foundation, Telefónica, Madrid
- Creator:Francisco Bores (1989 - 1972, Spanish)
- Creation Year:1929
- Dimensions:Height: 21.26 in (54 cm)Width: 25.6 in (65 cm)
- More Editions & Sizes:54 x 65 cm.Price: $15,272
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Madrid, ES
- Reference Number:1stDibs: LU1281114065792
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1977
1stDibs seller since 2019
21 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Madrid, Spain
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- "The Search" Late 19th Century Oil on Canvas by Spanish Artist M. Alonso PérezBy Mariano Alonso PérezLocated in Madrid, ESMARIANO ALONSO PÉREZ Spanish, 1857 - 1930 THE SEARCH signed "Alonso Pérez" (lower right) oil on canvas 23 x 12-1/8 inches (58 x 30.7 cm.) framed: ...Category
1980s Romantic Figurative Paintings
MaterialsCanvas, Oil
- "Venice Twilight", 19th Century Oil on Canvas by Charles-Clément CalderonLocated in Madrid, ESCHARLES - CLÉMENT CALDERON French, 1870 - 1906 VENICE TWILIGHT signed "C. Calderon" (lower right) oil on canvas 15-1/4 x 21-3/4 inches (38.5 x 55 cm.) ...Category
Early 1900s Expressionist Figurative Paintings
MaterialsCanvas, Oil
- "The Card Game", 19th Century Oil on Canvas by Joaquín Domínguez BécquerBy Joaquín Domínguez BécquerLocated in Madrid, ESJOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 THE CARD GAME signed, located & dated "Joaq. D. Becquer. Sevilla - 1849." (lower left) oil on ...Category
1840s Romantic Figurative Paintings
MaterialsCanvas, Oil
- Place de la République, 20th Century Oil on Canvas by Edouard Léon CortèsBy Édouard Leon CortèsLocated in Madrid, ESEDOUARD LÉON CORTÈS French 1882 - 1969 PLACE DE LA RÉPUBLIQUE signed "EDOUARD CORTÈS." (lower right) oil on canvas 19-3/4 x 25-1/2 inches (50 x 64.5 cm.) framed: 27-3/4 x 33-3/8 inches (70 x 84.5 cm.) PROVENANCE Private Collector, Madrid An elegant night view of the Parisian Republic Square, with amazing light effects that catch us. This work executed based on brushstrokes of long and safe strokes that make the forms vibrate with vivid color. Parisian nightlife is trapped in this corner of Paris. The monumental sculpture that symbolizes freedom and that presides over the square serves as a reference behind the tram between a light chiaroscuro. Meanwhile, the effervecent and lively life of the cafes that surround it vibrate strongly with its bright lights. Èdouard León Cortés (1882–1969) was a French post-impressionist artist of French and Spanish ancestry. He is known as "Le Poète Parisien de la Peinture" or "the Parisian Poet of Painting" because of his diverse Paris cityscapes in a variety of weather and night settings. Cortes was born on August 6, 1882, in Lagny-sur-Marne, about twenty miles east of Paris. His father, Antonio Cortés, had been a painter for the Spanish Royal...Category
1920s Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Saint Peter's Square, Rome", 19th Century Oil on Canvas by Gustavo BacarisasLocated in Madrid, ESGUSTAVO BACARISAS Gibraltian, 1873 - 1971 SAINT PETER´S SQUARE, ROME signed "G. BACARISAS. ROMA : 08" (lower left) oil on canvas 19-1/4 x 27-1/4 inch...Category
Early 1900s Post-Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Florence´s Bridge", 19th Century Oil on Canvas by Antonietta BrandeisBy Antonietta BrandeisLocated in Madrid, ESANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...Category
1890s Realist Figurative Paintings
MaterialsCanvas, Oil
You May Also Like
- Light From AboveBy Downy Doxey MarshallLocated in Salt Lake City, UT"Light From Above" by Downy Doxey Marshall, oil on canvas, 36 X 36 inches (framed size: 38 x 38 inches), $5,500. "As a child I dreamt of having a pond in my backyard. The thoughts of floating in a glass bottom boat...Category
2010s Abstract Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Meadow GossamerBy Downy Doxey MarshallLocated in Salt Lake City, UT"Meadow Gossamer" by Downy Doxey Marshall, oil on canvas, 24 x 24 inches (framed size: 26 x 26 inches), $3,500. "As a child I dreamt of having a pond in my backyard. The thoughts of floating in a glass bottom boat...Category
2010s Abstract Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Seeing Fast and SlowLocated in Newport Beach, CAShane McClatchey is a painter based in Laguna Beach, California. His body of work explores the relationship between people and the ocean. Evoking the Dutch Golden Age of painting in ...Category
2010s Abstract Impressionist Abstract Paintings
MaterialsCanvas, Oil
- "Seascape, " Oil on Canvas, 2012By Michael ThompsonLocated in Chicago, ILEntitled "Seascape," this painting by Chicago artist Michael Thompson is a departure from the collage work of his ongoing kite series. Rendered in ...Category
21st Century and Contemporary Abstract Impressionist Abstract Paintings
MaterialsCanvas, Latex, Oil
- Des l'AubeBy Gerard StricherLocated in New York, NYAn oil panting on Canvas, inspired by autumn nature scenes where flowers, trees, branches, bushes, and skies, assembles in a vibrant and bright multicolor dance in thick layers of oi...Category
2010s Abstract Impressionist Abstract Paintings
MaterialsCanvas, Oil
- Sea Shadow #103 Oil/Canvas, Light & Shadow, Underwater Landscape (Spiral Sun)By Ellen HartLocated in Houston, TXThis Underwater World series is inspired by the oceans. Most of the works are specifically inspired by a set of tidal pools I found at the edge of the Pacific Ocean on the west coas...Category
2010s Abstract Impressionist Landscape Paintings
MaterialsCotton Canvas, Oil