Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Unknown
1950'S FRENCH EXPRESSIONIST CUBIST ABSTRACT OIL PAINTING - AUTUMN COLORS

About the Item

Artist/ School: French School, mid 20th century Title: Cubist abstract Medium: oil painting on canvas Size: painting: 23.5 x 32 inches Provenance: private collection, France Condition: The painting is in good and pleasing condition.
  • Dimensions:
    Height: 23.5 in (59.69 cm)Width: 32 in (81.28 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Cirencester, GB
  • Reference Number:
    1stDibs: LU50939218842
More From This SellerView All
You May Also Like
  • Strindberg Nocturnes II
    By Robert Kelly
    Located in Phoenix, AZ
    Robert Kelly’s painted collages are anchored in a step-by-step process of formal puzzle composition and informed by decades of expert surface crafting. Having grown fond of the pared...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Canvas, Mixed Media, Oil

  • Strindberg Nocturnes I
    By Robert Kelly
    Located in Phoenix, AZ
    Robert Kelly’s painted collages are anchored in a step-by-step process of formal puzzle composition and informed by decades of expert surface crafting. Having grown fond of the pared...
    Category

    2010s Bauhaus Abstract Paintings

    Materials

    Canvas, Mixed Media, Oil

  • Full Moon Loop
    By Tom Lieber
    Located in Phoenix, AZ
    oil and gesso on canvas Stemming from his interest in human energy, Tom Lieber creates works that evoke notions about the way we experience, feel, receive and express. While in Berk...
    Category

    2010s Abstract Expressionist Paintings

    Materials

    Gesso, Canvas, Paint, Oil

  • Adventures by K. Hormel - Colorful Dancers Contemporary Oil painting
    By Katharina Hormel
    Located in DE
    Katharina Hormel has two separate bodies of work. On the hand, she paints minimalistic every day scenes of life with acrylics and gold leaf. The people she portrays are out and abou...
    Category

    21st Century and Contemporary Paintings

    Materials

    Canvas, Oil, Acrylic

  • Amish Farmscape #3
    By Edmund Lewandowski
    Located in Los Angeles, CA
    Amish Farmscape #3, 1984, oil on canvas, 40 x 30 inches, signed and dated lower right; signed, dated, and titled verso About the Painting Amish Farmscape #3 is part of a multi-painting series of barns completed in the early 1980s for an exhibition at New York’s prestigious Sid Deutsch Gallery. Lewandowski painted this work at an important point in his career. It was the first major project undertaken by Lewandowski after his retirement from serving as the Chairman of Winthrop University’s Art Department, the last academic position he held after teaching for nearly thirty years. Lewandowski had been inspired to work on the series by a visit to Lancaster County, Pennsylvania. Like his friend and mentor, Charles Sheeler, Lewandowski had always been fascinated by vernacular architecture and the Amish barns of Pennsylvania brought back memories of rural scenes Lewandowski had painted in the Midwest much earlier in his career. Amish Farmscape #3 is a strong example of Lewandowski’s late precisionist work. The complexity of the composition and Lewandowski’s technical acumen are on full display. Being relieved of the burdens of teaching and administering a university art department likely allowed Lewandowski greater freedom and most importantly more time to complete the Amish Farmscape series. Although Lewandowski’s brand of precisionism changed throughout the years, he never deviated from the core tenets of the Immaculate School artists. In this work, we see simplified and flattened forms, the use of ray-lines to define light and space, the elimination of extraneous details, a polished almost machine-like finish, and the complete lack of visible brushstrokes, all hallmarks of the precisionist painters. Lewandowski was the last of the 20th century precisionists and in Amish Farmscape #3, we see just how successfully he continued to work in this style until his death in 1998. About the Artist Edmund Lewandowski was among the best of the second-generation precisionist painters. He was born and raised in Milwaukee, Wisconsin and studied at the Layton School of Art with Garrett Sinclair. Lewandowski achieved early success when in 1936 two of his watercolors were shown at the Phillips Collection as part of a Federal Art Project exhibition. Then, in 1937, his work was first exhibited at Edith Halpert’s Downtown Gallery which represented Lewandowski into the 1950s. Under Halpert’s guidance, Lewandowski continued to explore watercolor as his main medium during the 1930s and 1940s, since the gallery already represented Charles Sheeler, who worked primarily in oils. Sheeler became Lewandowski’s major influence as the primary leader of the ill-defined, but very recognizable Immaculate School artists, which included other Downtown Gallery painters, Niles Spencer, George Ault, and Ralston Crawford, as well as Charles Demuth and Preston Dickinson, both of whom died at a young age and had been represented by the Charles Daniel Gallery. Sheeler is credited with giving Lewandowski technical advice on how to make his paintings more precise and tightly rendered and by all accounts, Sheeler was a fan of Lewandowski’s work. Through the Downtown Gallery, Lewandowski’s paintings were accepted into major national and international exhibitions and purchased by significant museums and collectors. Franklin and Eleanor Roosevelt and Nelson Rockefeller acquired works by Lewandowski. He was included in the Museum of Modern Art’s important 1943 exhibition, American Realists and Magic Realists as well as juried exhibitions at the Whitney Museum of American Art, the Pennsylvania Academy of Fine Arts, and the Art Institute of Chicago. Lewandowski also completed commissions for magazines during the 1940s and 1950s, including several covers for Fortune. Throughout his career, Lewandowski explored urban and rural architecture, industry, machinery, and nautical themes. Looking back on his career, Lewandowski wrote, “My overwhelming desire as an artist through the years has been to record the beauty of man-made objects and energy of American industry on canvas. For as far back as I can recall, the cityscapes, farms and depictions of industrial power and technological efficiency has had a great attraction for me. I try to treat these observations with personal honesty and distill these impressions to a visual order.” Lewandowski is credited with extending precisionism to the Midwest and successfully continuing the style into the 1990s, three decades after Sheeler’s death and six decades after Demuth’s passing. Late in his career, Lewandowski enjoyed a resurgence of popularity as he was represented during the 1980s by New York’s Sid Deutsch and Allison Galleries...
    Category

    Mid-20th Century American Modern Landscape Paintings

    Materials

    Canvas, Oil

  • Topography 6 - abstract painting in light pink, white, yellow and grey
    By Natalia Sitnikova
    Located in Fort Lee, NJ
    This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Alabaster, Sandstone

Recently Viewed

View All