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Fritz BultmanWave II 3 Blue1969
1969
About the Item
Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice. Best known for his collages that incorporated pre-painted paper into semi-figurative forms and abstract compositions, Bultman drew on years of psychotherapy to explore eroticism, sexual symbolism, and myth. Robert Motherwell called him “one of the most splendid, radiant, and inspired painters of my generation,” although many believe he suffered a lack of recognition due to missing the famed 1951 Life magazine photograph that helped establish the reputation of his contemporaries.
- Creator:Fritz Bultman (1919-1985, American)
- Creation Year:1969
- Dimensions:Height: 40 in (101.6 cm)Width: 78 in (198.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU11021958203
Fritz Bultman
An abstract painter who was part of the New York School in New York City, Fritz Bultman was a student of leading Abstract Expressionist Hans Hoffman at Hoffman's school in Provincetown, Massachusetts. He also studied at the New Bauhaus in Chicago. Fritz Bultman also taught at Pratt Institute and Hunter College in New York City and at the Fine Arts Center in Provincetown, Massachusetts. Source:
Peter Falk, "Who Was Who in American Art"
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Located in New Orleans, LA
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Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, sculptor, and collagist and a member of the New York School of artists. He was born in New Orleans, Louisiana and moved to Germany to join the Bauhaus at the age of 16. There, he was acquainted with Maria Hofmann, the wife of Hans Hofmann, which initiated a move to New York to study under his guidance. Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice. In 1950, Fritz Bultman and 27 other distinguished artists signed a letter protesting the conservative nature of the work selected for a forthcoming national exhibition at the Metropolitan Museum of Art. The signees of this historic letter were identified as, the “Irascibles,” resulting in the majority achieving international acclaim as Abstract Expressionist artists including Willem de Kooning, Robert Motherwell, Jackson Pollock, and Mark Rothko, among others.
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By Fritz Bultman
Located in New Orleans, LA
Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, sculptor, and collagist and a member of the New York School of artists. He was born in New Orleans, Louisiana and moved to Germany to join the Bauhaus at the age of 16. There, he was acquainted with Maria Hofmann, the wife of Hans Hofmann, which initiated a move to New York to study under his guidance. Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice. In 1950, Fritz Bultman and 27 other distinguished artists signed a letter protesting the conservative nature of the work selected for a forthcoming national exhibition at the Metropolitan Museum of Art. The signees of this historic letter were identified as, the “Irascibles,” resulting in the majority achieving international acclaim as Abstract Expressionist artists including Willem de Kooning, Robert Motherwell, Jackson Pollock, and Mark Rothko, among others.
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Mid-20th Century Abstract Expressionist Abstract Paintings
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